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THE DEATH OF SOC SMITH

A short novel that might have served better as a short story.

The tide gets rough for an aging California surfer and war vet when he discovers his obituary in the local newspaper.

Socrates “Soc” Smith is your typical laidback California native, content with a simple lifestyle that includes thumbing through the newspaper in the morning, watching movies in the evening with his wife, Jayne, and cruising down to the nearby beaches in his ’48 Woody to scope out the waves on his days off. One Saturday morning he happens upon the local paper’s obituary page, which contains a pronouncement of his death. Assuming the listing is nothing more than an accident or a friend’s benign joke, he prepares to get to the bottom of things the following Monday morning. His plans are complicated when, that afternoon, Jayne receives his official death certificate in the mail. What Soc assumes to be a simple matter of clarifying facts with county officials and newspaper editors turns into a fruitless game of trying to convince people that he’s alive. To make matters worse, Soc’s purportedly abandoned job is already filled by a younger man, and Jayne receives a $50,000 life insurance check. Concluding that there’s little anyone can do to bring him back to life, Soc realizes he’s off the public grid and hits the surf all week to sort things out. Suddenly faced with the possibility of leaving his wife of 25 years in pursuit of the Kerouac-like escapades he’s always dreamed of, Soc must wrestle with the fact that “someone else made him dead.” But what starts out as an intriguing premise with lots of potential for metaphysical musings on life and death, or at least a modern-day male anti-adventure, becomes a droll scrutiny of a common man with humdrum aspirations. Soc is so averse to risk during the first two-thirds of this brief book that it’s difficult to care whether or not his quandary is amended. Arthur takes great pains to describe Soc’s every action in many sections, leaving much of the content feeling like filler material: “He changed the channel to a boxing match. He watched a round until a commercial came on. He jumped around the channels for a couple minutes and then he switched back to the fight. He watched that round, and then he turned the T.V. off.” Much of the story is otherwise conveyed through snappy dialogue and Soc’s turbulent reflections, which some readers will find a redemptive quality, particularly as Soc makes his final decisions.

A short novel that might have served better as a short story.

Pub Date: April 21, 2011

ISBN: 978-0984299065

Page Count: 131

Publisher: Jerome Arthur

Review Posted Online: Feb. 8, 2012

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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