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JERZY

Kosinki’s is a sad tale; he was a gifted raconteur except on the page in his chosen language, a flaw all the more obvious...

The rise and fall of novelist Jerzy Kosinski (1933-1991) emerges in an offbeat way through real and imagined figures in his life.

The narrative moves fitfully through Kosinski’s life in five chapters that almost reluctantly form a mosaic of the whole man. The long opening section, the most charming of the quintet, touches on the entire span and the main characters that will follow. But it’s dominated by Peter Sellers and narrated by the actor’s driver as they seek an audience with Stan Laurel, dally with Lord Snowden and Princess Margaret, and then, for six years, pursue Kosinski’s blessing to let Sellers play the character Chance in the movie version of Being There. Charyn (A Loaded Gun, 2016, etc.) gives a chapter to Stalin’s daughter, who in fact lived next door to Kosinski in Princeton, looks into his strange marriage to an alcoholic heiress (her late husband changed here to the fictional Petroleum Jelly King), and revels in a dominatrix calling herself Anna Karenina who helps Kosinski, a patron of sex clubs, find the ideal editor. For a time, Kosinski was a darling of New York society, famed for colorful tales of his boyhood in wartime Poland—a period covered in the last chapter—and a serious artist, winning the 1969 National Book Award for Steps. Then came the 1982 Village Voice article that exposed his poor English skills and total reliance on the rewriting of secret editors. Charyn refers to the problem often—often enough to raise the question of how much schadenfreude is operating here.

Kosinki’s is a sad tale; he was a gifted raconteur except on the page in his chosen language, a flaw all the more obvious when conveyed through Charyn’s resourceful imagination and always-colorful, punchy, provocative prose.

Pub Date: March 14, 2017

ISBN: 978-1-942658-14-6

Page Count: 240

Publisher: Bellevue Literary Press

Review Posted Online: Dec. 14, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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THE UNSEEN

A deeply satisfying novel, both sensuously vivid and remarkably poignant.

Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.

Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.

A deeply satisfying novel, both sensuously vivid and remarkably poignant.

Pub Date: April 7, 2020

ISBN: 978-1-77196-319-0

Page Count: 272

Publisher: Biblioasis

Review Posted Online: Jan. 12, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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THE SCREWTAPE LETTERS

These letters from some important executive Down Below, to one of the junior devils here on earth, whose job is to corrupt mortals, are witty and written in a breezy style seldom found in religious literature. The author quotes Luther, who said: "The best way to drive out the devil, if he will not yield to texts of Scripture, is to jeer and flout him, for he cannot bear scorn." This the author does most successfully, for by presenting some of our modern and not-so-modern beliefs as emanating from the devil's headquarters, he succeeds in making his reader feel like an ass for ever having believed in such ideas. This kind of presentation gives the author a tremendous advantage over the reader, however, for the more timid reader may feel a sense of guilt after putting down this book. It is a clever book, and for the clever reader, rather than the too-earnest soul.

Pub Date: Jan. 1, 1942

ISBN: 0060652934

Page Count: 53

Publisher: Macmillan

Review Posted Online: Oct. 17, 2011

Kirkus Reviews Issue: June 15, 1943

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