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UNDER THE EYE OF GOD

The result is a political cocktail almost as fizzy and inventive as The Onion or The Wall Street Journal in which every...

Isaac Sidel, commissioner of police turned New York City mayor, adds a new title to his résumé: vice president-elect of the United States.

Added to the Democratic ticket in 1988 to juice the appeal of J. Michael Storm, a baseball czar with feet of clay (Citizen Sidel, 1999), Isaac swiftly becomes the main story. Crowds and Republicans adore him, ignoring the presidential candidate who took 47 states. Even J. Michael’s 12-year-old daughter, Marianna, takes up a staunch position at “Uncle Isaac’s” side, prompting fearful echoes of Lolita. Amid all the hoopla, however, deeper currents swirl. A Korean War vet aiming at Isaac during a trip to San Antonio shoots his Secret Service bodyguard instead. Isaac finds David Pearl, the banker who was the longtime silent partner to Isaac’s glover father, holed up in Manhattan’s Ansonia Hotel brewing heaven knows what dastardly schemes. Isaac falls hard for David’s inamorata, Inez, nee Trudy Winckleman, but knows their relationship can’t possibly end well. Instead of readying himself for the vice presidency, the Big Man prefers to play out his last days as the mayoral savior of the five boroughs. All around him, meanwhile, career politicians, campaign consultants, political strategists, psychiatrists and astrologers do what they do best: discern conspiracies, take fright and counter them with their own megalomaniac fantasies. All of this uproar in the national hall of mirrors, in which friends are really enemies and enemies are really nuts, perfectly suits Charyn’s tropism for antic mythologizing. The new threats arriving on every page are often extended, inflated and dispatched in time for the next paragraph break.

The result is a political cocktail almost as fizzy and inventive as The Onion or The Wall Street Journal in which every development is dark, urgent and apocalyptic, and none of it matters a bit.

Pub Date: Oct. 30, 2012

ISBN: 978-1-4532-7099-8

Page Count: 222

Publisher: MysteriousPress.com

Review Posted Online: Sept. 11, 2012

Kirkus Reviews Issue: Oct. 1, 2012

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DARK MATTER

Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.

A man walks out of a bar and his life becomes a kaleidoscope of altered states in this science-fiction thriller.

Crouch opens on a family in a warm, resonant domestic moment with three well-developed characters. At home in Chicago’s Logan Square, Jason Dessen dices an onion while his wife, Daniela, sips wine and chats on the phone. Their son, Charlie, an appealing 15-year-old, sketches on a pad. Still, an undertone of regret hovers over the couple, a preoccupation with roads not taken, a theme the book will literally explore, in multifarious ways. To start, both Jason and Daniela abandoned careers that might have soared, Jason as a physicist, Daniela as an artist. When Charlie was born, he suffered a major illness. Jason was forced to abandon promising research to teach undergraduates at a small college. Daniela turned from having gallery shows to teaching private art lessons to middle school students. On this bracing October evening, Jason visits a local bar to pay homage to Ryan Holder, a former college roommate who just received a major award for his work in neuroscience, an honor that rankles Jason, who, Ryan says, gave up on his career. Smarting from the comment, Jason suffers “a sucker punch” as he heads home that leaves him “standing on the precipice.” From behind Jason, a man with a “ghost white” face, “red, pursed lips," and "horrifying eyes” points a gun at Jason and forces him to drive an SUV, following preset navigational directions. At their destination, the abductor forces Jason to strip naked, beats him, then leads him into a vast, abandoned power plant. Here, Jason meets men and women who insist they want to help him. Attempting to escape, Jason opens a door that leads him into a series of dark, strange, yet eerily familiar encounters that sometimes strain credibility, especially in the tale's final moments.

Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.

Pub Date: July 26, 2016

ISBN: 978-1-101-90422-0

Page Count: 352

Publisher: Crown

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: May 15, 2016

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PRETTY GIRLS

Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that...

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  • Kirkus Reviews'
    Best Books Of 2015


  • New York Times Bestseller

Twenty-four years after a traumatic disappearance tore a Georgia family apart, Slaughter’s scorching stand-alone picks them up and shreds them all over again.

The Carrolls have never been the same since 19-year-old Julia vanished. After years of fruitlessly pestering the police, her veterinarian father, Sam, killed himself; her librarian mother, Helen, still keeps the girl's bedroom untouched, just in case. Julia’s sisters have been equally scarred. Lydia Delgado has sold herself for drugs countless times, though she’s been clean for years now; Claire Scott has just been paroled after knee-capping her tennis partner for a thoughtless remark. The evening that Claire’s ankle bracelet comes off, her architect husband, Paul, is callously murdered before her eyes and, without a moment's letup, she stumbles on a mountainous cache of snuff porn. Paul’s business partner, Adam Quinn, demands information from Claire and threatens her with dire consequences if she doesn’t deliver. The Dunwoody police prove as ineffectual as ever. FBI agent Fred Nolan is more suavely menacing than helpful. So Lydia and Claire, who’ve grown so far apart that they’re virtual strangers, are unwillingly thrown back on each other for help. Once she’s plunged you into this maelstrom, Slaughter shreds your own nerves along with those of the sisters, not simply by a parade of gruesome revelations—though she supplies them in abundance—but by peeling back layer after layer from beloved family members Claire and Lydia thought they knew. The results are harrowing.

Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that she makes most of her high-wire competition look pallid, formulaic, or just plain fake.

Pub Date: Sept. 29, 2015

ISBN: 978-0-06-242905-6

Page Count: 400

Publisher: Morrow/HarperCollins

Review Posted Online: June 30, 2015

Kirkus Reviews Issue: July 15, 2015

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