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MARIAMA

DIFFERENT BUT JUST THE SAME

The artwork will lure readers into spending time on each page, though the representation of Mariama’s experience is at best...

When Mariama moves from Fulakunda, a small West African village, to a metropolis in Europe or North America, she adjusts to life with her new light-skinned friends and observes that they are more alike than different.

The story is straightforward: A “little girl” is told by her parents “that she [is] going to move to a country far, far away.” The art is amazing: On the verso is a beige, brush-stroked Africa, its western edge adorned with thatched-roof huts, a red-flowering tree and a woman in turquoise traditional dress. The faux handwritten script labels Mariama’s village and “my grandma.” Cranes fly across the page, connecting readers with a tearful Mariama, waving goodbye as her parents, in the background, approach a distant city. The vibrant, stylized illustrations complement such observations about the new land as, “There were no animals in the streets; and instead of earth, there were long, grey tongues.” Although the culture shock is clear, from urban living to snowy winters to students “nearly as white as the African moon,” the book does an injustice by equating the huge, diverse continent of Africa with Mariama’s remembrances of village life. Or is that purposeful, related to an unexplained allusion to the children in her new home, “who didn’t have to worry about anything else apart from being children”?

The artwork will lure readers into spending time on each page, though the representation of Mariama’s experience is at best elliptical. (brief African cultural notes) (Picture book. 5-8)

Pub Date: March 17, 2015

ISBN: 978-84-16147-60-1

Page Count: 28

Publisher: Cuento de Luz

Review Posted Online: Dec. 5, 2014

Kirkus Reviews Issue: Dec. 15, 2014

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A BIKE LIKE SERGIO'S

Embedded in this heartwarming story of doing the right thing is a deft examination of the pressures of income inequality on...

Continuing from their acclaimed Those Shoes (2007), Boelts and Jones entwine conversations on money, motives, and morality.

This second collaboration between author and illustrator is set within an urban multicultural streetscape, where brown-skinned protagonist Ruben wishes for a bike like his friend Sergio’s. He wishes, but Ruben knows too well the pressure his family feels to prioritize the essentials. While Sergio buys a pack of football cards from Sonny’s Grocery, Ruben must buy the bread his mom wants. A familiar lady drops what Ruben believes to be a $1 bill, but picking it up, to his shock, he discovers $100! Is this Ruben’s chance to get himself the bike of his dreams? In a fateful twist, Ruben loses track of the C-note and is sent into a panic. After finally finding it nestled deep in a backpack pocket, he comes to a sense of moral clarity: “I remember how it was for me when that money that was hers—then mine—was gone.” When he returns the bill to her, the lady offers Ruben her blessing, leaving him with double-dipped emotions, “happy and mixed up, full and empty.” Readers will be pleased that there’s no reward for Ruben’s choice of integrity beyond the priceless love and warmth of a family’s care and pride.

Embedded in this heartwarming story of doing the right thing is a deft examination of the pressures of income inequality on children. (Picture book. 5-8)

Pub Date: Oct. 4, 2016

ISBN: 978-0-7636-6649-1

Page Count: 40

Publisher: Candlewick

Review Posted Online: July 19, 2016

Kirkus Reviews Issue: Aug. 1, 2016

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THE COOL BEAN MAKES A SPLASH

From the I Can Read! series

Another quirky take on the series theme that it’s cool to be kind.

The cool beans again step up to do a timorous fellow legume a fava…this time at the pool.

Will a rash decision to tackle the multistory super-slide lead to another embarrassing watery fail for our shy protagonist? Nope, for up the stairs right behind comes a trio of cool beans, each a different type and color, all clad in nothing but dark shades. They make an offer: “It’s not as scary if you go with friends!” As the knobby nerd explains once the thrilling ride down is done, “They all realized that I just needed some encouragement and support.” Just to make sure that both cool and uncool readers get the message, the narrator lets us know that “there are plenty of kind folks who have my back. They’re always there when I need them.” The beany bonhomie doesn’t end at the bottom of the slide, with all gliding down to the shallow end of the pool (“3 INCHES. NO DIVING”) for a splashy finale. This latest early reader starring characters from John and Oswald’s immensely popular Food Group series will be a hit with fans. Fun accessories, such as a bean who rocks pink cat-eye frames, add some pizzazz to the chromatically and somatotypically varied cast.

Another quirky take on the series theme that it’s cool to be kind. (Easy reader. 5-7)

Pub Date: March 26, 2024

ISBN: 9780063329560

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: Feb. 17, 2024

Kirkus Reviews Issue: March 15, 2024

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