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TRICKLING SANDS

A slender, potent slice of crime fiction; creatively inspired yet a bit undeveloped.

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A debut thriller focuses on a detective investigating his best friend’s murder.

Fasan’s adventuresome tale features two 30-something sleuths, both married with children, whose lives are upended when the unexpected happens. After a relatively tame night out at a bar after work, fellow Welder Ville police detectives and best friends Richard and Garett return to their respective spouses. Richard goes home to his wife, Serene, and 6-year-old son, Mark. Garett returns to his wife, Nadine, and their three kids. What follows is every parent’s worst nightmare: Richard awakes the next morning in a daze to discover his son missing, nowhere to be found in the house or elsewhere. When Garett’s best buddy doesn’t show up for work at the precinct, he drives to Richard’s house in a panic and discovers a young boy cowering in a dark corner of the basement. Mark hears the oblivious spirits of his parents drifting around the house. The author adds suspense early on in the novel by inserting young Mark’s terrified perspective into the story. His parents have become specters, but they are unaware of their own deaths. They have not yet figured out that they died by gunshot in their bed, and start searching for Mark. The double homicide rocks the local police district. Garett and a team of investigators are immediately on the case, examining Richard’s service pistol, which was the murder weapon, sparking a hunch that makes Mark a possible suspect in the deaths of his parents. As the killings cut so close to home at the precinct, Richard’s and Serene’s murders are made a top priority. The fast-tracked probe circles around Serene’s troubled family, specifically Richard’s brother-in-law, Haden.

With a swift economy of narration and plot, Fasan’s tale speeds its way through the classic machinations of a police procedural with a few spiritual additions tossed in, such as Garett’s seeing his dead partner in a dream state in which he is able to say goodbye personally. There’s also a good amount of twists for such a slim, smooth mystery. The list of suspects is short, but readers won’t really know who the killer is until late in the story, which is an impressive feat for a first-time author. There’s also a feel-good ending that somewhat rectifies the crimes the tale sets out to solve. The story’s biggest hindrance is its brief length: The book feels like the beginning of a bigger work to come and concludes just as readers will be warming to Fasan’s good-natured characters. Overall, the work suffers from sections of awkward phrasing and unnecessary exposition. There is also a palpable feeling of underdevelopment throughout. Even while the core tale is memorable and dramatic, readers may be left wanting further, more in-depth, and less rushed character and plot development. Nevertheless, though the case resolution does arrive in a somewhat hurried fashion, readers looking for a quick whodunit with vigorous, believable, if stunted, characterization and relatively little gore will devour this compact suspense tale about the sudden, horrific homicide of a loving couple and the grief of a son.

A slender, potent slice of crime fiction; creatively inspired yet a bit undeveloped.

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: Manuscript

Review Posted Online: March 21, 2021

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DAUGHTER OF MINE

Small-town claustrophobia and intimacies alike propel this twist-filled psychological thriller.

The loss of her police officer father and the discovery of an abandoned car in a local lake raise chilling questions regarding a young woman’s family history.

When Hazel Sharp returns to her hometown of Mirror Lake, North Carolina, for her father’s memorial, she and the other townspeople are confronted by a challenging double whammy: As they’re grieving the loss of beloved longtime police officer Detective Perry Holt, a disturbing sight appears in the lake, whose waterline is receding because of an ongoing drought—an old, unidentifiable car, which has likely been lurking there for years. Hazel temporarily leaves her Charlotte-based building-renovation business in the capable hands of her partners and reconnects with her brothers, Caden and Gage; her Uncle Roy; her old fling and neighbor, Nico; and her schoolfriend, Jamie, now a mother and married to Caden. Tiny, relentless suspicions rise to the metaphorical surface along with that waterlogged vehicle: There have been a slew of minor break-ins; two people go missing; and then, a second abandoned car is discovered. The novel digs deeper into Hazel’s family history—her father was a widow when he married Hazel’s mother, who later left the family, absconding with money and jewels—and Miranda, a consummate professional when it comes to exposing the small community tensions that naturally arise when people live in close proximity for generations, exposes revelation after twisty revelation: “Everything mattered disproportionately in a small town. Your success, but also your failure. Everyone knows might as well have been our town motto.”

Small-town claustrophobia and intimacies alike propel this twist-filled psychological thriller.

Pub Date: April 9, 2024

ISBN: 9781668010440

Page Count: 368

Publisher: Marysue Rucci Books

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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THEN SHE WAS GONE

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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