by Jerry Davis & illustrated by Katie Davis ‧ RELEASE DATE: April 19, 2011
A close-up of a neon-yellow chick beckons from the bright-blue front cover. On the first page a very large, handlike wing pushes open the door to reveal sleepy Little Chicken. Then it comes: “Rise ’n’ shine!” Ominously, Big (mama) Chicken continues to bellow out exclamatory commands to her tiny chick. The usual parent-given directives are issued at a rapid pace: “Wash your face! Brush your teeth! Get dressed! Finish your food!” Little Chicken looks up and answers, deadpan, “I hear you cluckin’, Big Chicken.” Off they go, with Little Chicken scampering in untied red sneakers while Big Chicken briskly marches forth in red heels and white handbag with orders to “Follow me!” and “Stay close!” But Little Chicken becomes mesmerized by a teeny purple butterfly and loses track of mama. Even as he begins to quake, Big Chicken appears on the next spread, melodiously clucking her child’s name. Once reunited, the pair happily heads home. The Davis team boldly plays with the use of white space (or sometimes blue or green) and strong black lines to propel the visual storytelling. Proportions and angles change as the story progresses to reflect Little Chicken’s understanding and appreciation of his mother’s watchful words. Be sure to share with willful toddlers and rambunctious preschoolers—they will easily relate to Little Chicken. (Picture book. 1-4)
Pub Date: April 19, 2011
ISBN: 978-1-4424-1401-3
Page Count: 40
Publisher: McElderry
Review Posted Online: April 3, 2011
Kirkus Reviews Issue: April 1, 2011
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by Christopher Silas Neal ; illustrated by Christopher Silas Neal ‧ RELEASE DATE: March 27, 2018
Innovative and thoroughly enjoyable.
You think you know shapes? Animals? Blend them together, and you might see them both a little differently!
What a mischievous twist on a concept book! With wordplay and a few groan-inducing puns, Neal creates connections among animals and shapes that are both unexpected and so seemingly obvious that readers might wonder why they didn’t see them all along. Of course, a “lazy turtle” meeting an oval would create the side-splitting combo of a “SLOW-VAL.” A dramatic page turn transforms a deeply saturated, clean-lined green oval by superimposing a head and turtle shell atop, with watery blue ripples completing the illusion. Minimal backgrounds and sketchy, impressionistic detailing keep the focus right on the zany animals. Beginning with simple shapes, the geometric forms become more complicated as the book advances, taking readers from a “soaring bird” that meets a triangle to become a “FLY-ANGLE” to a “sleepy lion” nonagon “YAWN-AGON.” Its companion text, Animal Colors, delves into color theory, this time creating entirely hybrid animals, such as the “GREEN WHION” with maned head and whale’s tail made from a “blue whale and a yellow lion.” It’s a compelling way to visualize color mixing, and like Animal Shapes, it’s got verve. Who doesn’t want to shout out that a yellow kangaroo/green moose blend is a “CHARTREUSE KANGAMOOSE”?
Innovative and thoroughly enjoyable. (Board book. 2-4)Pub Date: March 27, 2018
ISBN: 978-1-4998-0534-5
Page Count: 40
Publisher: Little Bee Books
Review Posted Online: May 13, 2018
Kirkus Reviews Issue: July 1, 2018
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by Audrey Penn ; illustrated by Barbara L. Gibson ‧ RELEASE DATE: April 1, 2014
Parents of toddlers starting school or day care should seek separation-anxiety remedies elsewhere, and fans of the original...
A sweetened, condensed version of the best-selling picture book, The Kissing Hand.
As in the original, Chester Raccoon is nervous about attending Owl’s night school (raccoons are nocturnal). His mom kisses him on the paw and reminds him, “With a Kissing Hand… / We’ll never be apart.” The text boils the story down to its key elements, causing this version to feel rushed. Gone is the list of fun things Chester will get to do at school. Fans of the original may be disappointed that this board edition uses a different illustrator. Gibson’s work is equally sentimental, but her renderings are stiff and flat in comparison to the watercolors of Harper and Leak. Very young readers will probably not understand that Owl’s tree, filled with opossums, a squirrel, a chipmunk and others, is supposed to be a school.
Parents of toddlers starting school or day care should seek separation-anxiety remedies elsewhere, and fans of the original shouldn’t look to this version as replacement for their page-worn copies. (Board book. 2-4)Pub Date: April 1, 2014
ISBN: 978-1-933718-77-4
Page Count: 14
Publisher: Tanglewood Publishing
Review Posted Online: May 18, 2014
Kirkus Reviews Issue: July 1, 2014
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by Audrey Penn ; illustrated by Barbara L. Gibson
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