A clever, sprightly tale, whether it’s set in, atop, or near the ocean.
In Brown’s (Snowmen, 1991, etc.) thriller, a man who can envision the locations of shipwrecks searches for treasure while dealing with Russians and an oil tycoon.
Kyle Dawton has had odd episodes of apparent precognition since childhood, but only a few have turned out to be accurate. He uses his ability to sense the locations of sunken vessels for Argos Salvage, which he owns and runs with his buddy, former SEAL Wayne Chizzick. Still, the company is in the red, so its chairman, ex-admiral Curt Chizzick, brings in investor Bill Cooper, whose daughter, Victoria, comes onboard as a new partner. She’s an archaeologist with her own team who aims to use the company’s resources to find valuable historical sites. Kyle’s latest vision, which seems to involve ghosts and a mermaid, also hints at another wreck (and possibly treasure). His “hunch” takes the crew to the Bermuda Triangle, which they find to be surprisingly crowded. The Russian military is in the area to find and return defector Pyotr Telasnikov, but the reasons why they want him aren’t immediately revealed. At the same time, the salvage team gets too close to oil well sites that were capped after an accident; JJ Oil CEO James Jessup Harwood III claims that he simply wishes them to stay capped, but he may have other motivations for having the team keep their distance. Brown keeps the story’s supernatural element ambiguous and sublimely understated; Kyle, for example, isn’t certain whether his vision of a ship going down during a storm is a past or future event—or perhaps both. Furthermore, the book grounds his ability in reality, implying that Kyle might be hallucinating from diving too deeply and experiencing nitrogen narcosis, which he’s endured twice before. There’s a plethora of characters in the novel, including pirates and hijackers, but thankfully, it’s easy to keep track of them all. There’s a bit of mystery, too: the Russians have to identify Telasnikov first before snatching him, and supposedly have a mole at JJ Oil. Brown sufficiently describes scenes set underwater and onboard vessels, but he shines brightest with his nautical-inspired metaphors; for instance, an irate Wayne “stomped the decks like peg-legged Ahab pacing The Pequod.”
A clever, sprightly tale, whether it’s set in, atop, or near the ocean.Pub Date: July 10, 2015
ISBN: 978-1-4951-6764-5
Page Count: 276
Publisher: Star Peak Press
Review Posted Online: Feb. 21, 2017
Review Program: Kirkus Indie
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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