Despite somewhat inclusive visuals, this book can’t help feeling like it’s stuck in amber. For a true celebration of America...

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MY FOURTH OF JULY

An exuberant, old-time–y celebration of the Fourth of July.

An energetic young child breathlessly narrates the day, from waking up bursting with excitement to conking out after the fireworks. In between, Spinelli’s nostalgic narrative hits all the expected notes. The child helps prepare the picnic (hot dogs and cherry pie, natch) and loads it into the little red wagon. A train festooned with bunting and pulled by a steam engine crosses Main Street. Once at the park, the family picnics and partakes in all the traditional Fourth of July activities, including face painting, sack racing, a concert in the bandstand, a visit to the zoo (this small-town park is extremely well-appointed), and, of course, the fireworks. Spinelli’s present-tense text combines a childlike voice (“Mama hands me a banana. I’m so excited I forgot to eat breakfast”) with poetic fervor (“My eyes cannot hold the wonders I see. My heart is cheering”). The only nods to patriotism are the abundant flags and mention of standing for “The Star-Spangled Banner.” Day’s small town is a Norman Rockwell–esque place of white frame houses and unleashed, well-behaved dogs. The narrator and family present white, while the narrator’s best friend and some of the other festivalgoers are people of color.

Despite somewhat inclusive visuals, this book can’t help feeling like it’s stuck in amber. For a true celebration of America and its diversity, opt for Stephanie Parsley Ledyard and Jason Chin’s Pie Is for Sharing (2018). (Picture book. 4-8)

Pub Date: May 14, 2019

ISBN: 978-0-8234-4288-1

Page Count: 40

Publisher: Neal Porter/Holiday House

Review Posted Online: March 31, 2019

Kirkus Reviews Issue: April 15, 2019

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The buoyant uplift seems a bit pre-packaged but spot-on nonetheless.

THE WORLD NEEDS MORE PURPLE PEOPLE

A monohued tally of positive character traits.

Purple is a “magic color,” affirm the authors (both actors, though Hart’s name recognition is nowhere near the level of Bell’s), and “purple people” are the sort who ask questions, laugh wholeheartedly, work hard, freely voice feelings and opinions, help those who might “lose” their own voices in the face of unkindness, and, in sum, can “JUST BE (the real) YOU.” Unlike the obsessive protagonist of Victoria Kann’s Pinkalicious franchise, being a purple person has “nothing to do with what you look like”—a point that Wiseman underscores with scenes of exuberantly posed cartoon figures (including versions of the authors) in casual North American attire but sporting a wide range of ages, skin hues, and body types. A crowded playground at the close (no social distancing here) displays all this wholesome behavior in action. Plenty of purple highlights, plus a plethora of broad smiles and wide-open mouths, crank up the visual energy—and if the earnest overall tone doesn’t snag the attention of young audiences, a grossly literal view of the young narrator and a grandparent “snot-out-our-nose laughing” should do the trick. (This book was reviewed digitally with 10.4-by-20.6-inch double-page spreads viewed at 22.2% of actual size.)

The buoyant uplift seems a bit pre-packaged but spot-on nonetheless. (Picture book. 6-8)

Pub Date: June 2, 2020

ISBN: 978-0-593-12196-2

Page Count: 40

Publisher: Random House

Review Posted Online: June 3, 2020

Kirkus Reviews Issue: June 15, 2020

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A must-have book about the power of one’s voice and the friendships that emerge when you are yourself.

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THE DAY YOU BEGIN

School-age children encounter and overcome feelings of difference from their peers in the latest picture book from Woodson.

This nonlinear story centers on Angelina, with big curly hair and brown skin, as she begins the school year with a class share-out of summer travels. Text and illustrations effectively work together to convey her feelings of otherness as she reflects on her own summer spent at home: “What good is this / when others were flying,” she ponders while leaning out her city window forlornly watching birds fly past to seemingly faraway places. López’s incorporation of a ruler for a door, table, and tree into the illustrations creatively extends the metaphor of measuring up to others. Three other children—Rigoberto, a recent immigrant from Venezuela; a presumably Korean girl with her “too strange” lunch of kimchi, meat, and rice; and a lonely white boy in what seems to be a suburb—experience more-direct teasing for their outsider status. A bright jewel-toned palette and clever details, including a literal reflection of a better future, reveal hope and pride in spite of the taunting. This reassuring, lyrical book feels like a big hug from a wise aunt as she imparts the wisdom of the world in order to calm trepidatious young children: One of these things is not like the other, and that is actually what makes all the difference.

A must-have book about the power of one’s voice and the friendships that emerge when you are yourself. (Picture book. 4-8)

Pub Date: Aug. 28, 2018

ISBN: 978-0-399-24653-1

Page Count: 32

Publisher: Nancy Paulsen Books

Review Posted Online: June 11, 2018

Kirkus Reviews Issue: July 1, 2018

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