Too clever for kids just learning the alphabet and not clever enough for kids looking for more.
This alphabet book examines the ABCs from a middle letter’s perspective.
Why does A always get to go first? It’s an interesting concept that O, the 15th letter of the alphabet and narrator of the tale, ponders. O is a natural replacement: They’re easy to make, and the ABC song, er…OBC song sounds, well, “omazing.” As O contemplates the change, other thoughts run through their head. Maybe the olphabet should be a circle of letters instead of a line. That doesn’t leave anyone behind (we’re looking at you, Z!), and it’s a shape that really speaks to O. After working through various scenarios, however, O arrives abruptly at the conclusion that they’re happy where they are. The concept of the picture book is amusing, but the follow-through is uneven. Some letters, when considered by O, are introduced with words they begin (“B can be Boring, Bossy, Bad”), but this is not done systematically or consistently. The illustrations add little to the story. The physical placement of letters on some pages is odd, compositions fighting with alphabetical expectations. For example, an early view of the first few letters is backward, with A on the right at the head of a line of thirsty letters at a lemonade stand (mystifyingly staffed by S). (This book was reviewed digitally with 10-by-18-inch double-page spreads viewed at actual size.)
Too clever for kids just learning the alphabet and not clever enough for kids looking for more. (Picture book. 4-6)Pub Date: May 18, 2021
ISBN: 978-0-7624-9820-8
Page Count: 32
Publisher: Running Press Kids
Review Posted Online: March 30, 2021
Kirkus Reviews Issue: April 15, 2021
Share this feel-good title with those who love art and those who can appreciate the confidence-building triumph of solving a...
Reynolds returns to a favorite topic—creative self-expression—with characteristic skill in a companion title to The Dot (2003) and Ish (2004).
Marisol is “an artist through and through. So when her teacher told her class they were going to paint a mural…, Marisol couldn’t wait to begin.” As each classmate claims a part of the picture to paint, Marisol declares she will “paint the sky.” But she soon discovers there is no blue paint and wonders what she will do without the vital color. Up to this point, the author uses color sparingly—to accent a poster or painting of Marisol’s or to highlight the paint jars on a desk. During her bus ride home, Marisol wonders what to do and stares out the window. The next spread reveals a vibrant departure from the gray tones of the previous pages. Reds, oranges, lemon yellows and golds streak across the sunset sky. Marisol notices the sky continuing to change in a rainbow of colors…except blue. After awakening from a colorful dream to a gray rainy day, Marisol smiles. With a fervent mixing of paints, she creates a beautiful swirling sky that she describes as “sky color.” Fans of Reynolds will enjoy the succinct language enhanced by illustrations in pen, ink, watercolor, gouache and tea.
Share this feel-good title with those who love art and those who can appreciate the confidence-building triumph of solving a problem on one’s own—creatively. (Picture book. 4-6)Pub Date: Aug. 28, 2012
ISBN: 978-0-7636-2345-6
Page Count: 32
Publisher: Candlewick
Review Posted Online: June 19, 2012
Kirkus Reviews Issue: July 15, 2012
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
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BOOK REVIEW
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