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A POISON DARK AND DROWNING

From the Kingdom on Fire series , Vol. 2

Anyone who enjoyed the first title will adore this sequel and be on tenterhooks for the next.

Alternative-Victorian magical intrigue, monstrous Lovecraft-ian abominations, and torrid romantic entanglements all intensify in the second of an enthralling fantasy series following A Shadow Bright and Burning (2016).

Henrietta Howel—sick of pretending to be the prophesied “savior” and panicked by her childhood love’s transformation into a shadow of the Seven Ancients—convinces her sorcerer friends to adopt the weapons of the outlawed magicians and even persuades a witch-in-hiding to employ her illegal craft. But none of Henrietta’s secrets or lies proves as devastating as those buried in her own past. Middle books are notoriously tricky, but Cluess executes every beat with panache. The overarching narrative of the sorcerers’ war advances apace, as momentary triumph unravels into complications, setbacks, betrayals, and disasters. The world remains default white and straight, but it contains hints of racial diversity among the magicians along with a gay relationship. The divisions and entanglements among the three branches of magic are further explored, and the deliciously horrific Ancients unfurl ever more grotesque maleficence. Secondary characters introduced mostly to help, thwart, or admire Henrietta begin to develop their own storylines, while Henrietta learns how heavily the price of her impulsiveness and deceit falls upon innocents. And although the romantic polygon centered on Henrietta is superficially resolved, this only ratchets up the underlying tensions.

Anyone who enjoyed the first title will adore this sequel and be on tenterhooks for the next. (Fantasy. 14-adult)

Pub Date: Sept. 19, 2017

ISBN: 978-0-553-53594-5

Page Count: 432

Publisher: Random House

Review Posted Online: May 30, 2017

Kirkus Reviews Issue: June 15, 2017

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GIRL IN PIECES

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.

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After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.

Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)

Pub Date: Aug. 30, 2016

ISBN: 978-1-101-93471-5

Page Count: 416

Publisher: Delacorte

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: May 15, 2016

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CARAVAL

From the Caraval series , Vol. 1

Immersive and engaging, despite some flaws, and destined to capture imaginations.

Magic, mystery, and love intertwine and invite in this newest take on the “enchanted circus” trope.

Sisters raised by their abusive father, a governor of a colonial backwater in a world vaguely reminiscent of the late 18th century, Scarlett and Donatella each long for something more. Scarlett, olive-skinned, dark of hair and attitude, longs for Caraval, the fabled, magical circus helmed by the possibly evil Master Legend Santos, while blonde, sunny Tella finds comfort in drink and the embraces of various men. A slightly awkward start, with inconsistencies of attitude and setting, rapidly smooths out when they, along with handsome “golden-brown” sailor Julian, flee to Caraval on the eve of Scarlett’s arranged marriage. Tella disappears, and Scarlett must navigate a nighttime world of magic to find her. Caraval delights the senses: beautiful and scary, described in luscious prose, this is a show readers will wish they could enter. Dresses can be purchased for secrets or days of life; clocks can become doors; bridges move: this is an inventive and original circus, laced with an edge of horror. A double love story, one sensual romance and the other sisterly loyalty, anchors the plot, but the real star here is Caraval and its secrets.

Immersive and engaging, despite some flaws, and destined to capture imaginations. (Fantasy. 14 & up)

Pub Date: Jan. 31, 2017

ISBN: 978-1-250-09525-1

Page Count: 416

Publisher: Flatiron Books

Review Posted Online: Sept. 18, 2016

Kirkus Reviews Issue: Oct. 1, 2016

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