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A SHADOW BRIGHT AND BURNING

From the Kingdom on Fire series , Vol. 1

Despite possessing every cliché in the genre, an elegantly addictive read.

The only thing more terrifying than being proclaimed the chosen one is secretly knowing you aren’t.

Of the three orders of magic practiced in this alternative Victorian Britain, only sorcery is legal—and it’s exclusively male. Fearing execution for witchcraft, 16-year-old Henrietta Howel has worked to hide her fiery powers, so she’s astonished to be hailed as the fulfillment of prophecy, the first female sorcerer in centuries. Whisked off to London, surrounded by luxury (and handsome young sorcerers-in-training), Henrietta fights to master magic and protect her dearest childhood friend, knowing that she’ll forfeit everything should her secrets be revealed. Every plot beat and character note here is utterly familiar; even the “subverted” tropes are upended in predictable ways. Henrietta is a stereotypical girl fantasy protagonist: uniquely gifted, haunted by childhood abuse, sympathetic to outcasts, “unfeminine” in her interests, believing herself unlovable even while adored by everyone except spiteful (and misogynistic) villains....Still, originality isn’t the only literary virtue, and Cluess deploys every timeworn device with stylish aplomb. Her gaslit world besieged by Lovecraft-ian horrors possesses vivid life, and if Henrietta’s hunky harem is populated by stock characters, their friendship still rings true. Despite frequent allusions to Henrietta’s “dark complexion” from her Welsh heritage, the characters are clearly all white, save the black, outlaw magician she befriends; even with the looming romantic polygon, hints abound that this world isn’t entirely heterosexual.

Despite possessing every cliché in the genre, an elegantly addictive read. (Fantasy. 12-18)

Pub Date: Sept. 20, 2016

ISBN: 978-0-553-53590-7

Page Count: 416

Publisher: Random House

Review Posted Online: June 21, 2016

Kirkus Reviews Issue: July 1, 2016

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DIVINE RIVALS

Ideal for readers seeking perspectives on war, with a heavy dash of romance and touch of fantasy.

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A war between gods plays havoc with mortals and their everyday lives.

In a time of typewriters and steam engines, Iris Winnow awaits word from her older brother, who has enlisted on the side of Enva the Skyward goddess. Alcohol abuse led to her mother’s losing her job, and Iris has dropped out of school and found work utilizing her writing skills at the Oath Gazette. Hiding the stress of her home issues behind a brave face, Iris competes for valuable assignments that may one day earn her the coveted columnist position. Her rival for the job is handsome and wealthy Roman Kitt, whose prose entrances her so much she avoids reading his articles. At home, she writes cathartic letters to her brother, never posting them but instead placing them in her wardrobe, where they vanish overnight. One day Iris receives a reply, which, along with other events, pushes her to make dramatic life decisions. Magic plays a quiet role in this story, and readers may for a time forget there is anything supernatural going on. This is more of a wartime tale of broken families, inspired youths, and higher powers using people as pawns. It flirts with clichéd tropes but also takes some startling turns. Main characters are assumed White; same-sex marriages and gender equality at the warfront appear to be the norm in this world.

Ideal for readers seeking perspectives on war, with a heavy dash of romance and touch of fantasy. (Fantasy. 14-18)

Pub Date: April 4, 2023

ISBN: 978-1-250-85743-9

Page Count: 368

Publisher: Wednesday Books

Review Posted Online: Jan. 11, 2023

Kirkus Reviews Issue: Feb. 1, 2023

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GIRL IN PIECES

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.

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After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.

Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)

Pub Date: Aug. 30, 2016

ISBN: 978-1-101-93471-5

Page Count: 416

Publisher: Delacorte

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: May 15, 2016

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