A nostalgia-infused ode to youthful stumbles and joys.
Lamirand’s memoir, a debut, recounts the friendships she formed during her first few years at Colorado College in the mid-’90s.
With wistful eloquence, Lamirand writes of “experiencing the beautiful beginning of what would become a bittersweet story of friendship and…blossoming into young adulthood” when she started college. Introverted, used to living in her family’s home, and prone to comparing the real world with Anne of Green Gables (“I could relate little to our modern times”), she was naïve at first, but she quickly met a group of girls who put her at ease: “the group,” whose members included beautiful Sophie and grunge-loving Selena, grew close through their shared experiences and explorations—primarily those related to young love. Lamirand developed an infatuation with Stéphane, a classmate who kept his distance, and all the girls displayed their creativity through the nicknames they bestowed upon the boys they met—Sexy Ears Sam and Squeaky Voice Gothic Boy. The title of Lamirand’s memoir may seem macabre—and the group did experiment with forming a coven—but her story is one of life’s daily dramas, all small in the grand scheme but monumental as they occur. (The title is a reference both to the author of the 1963 novel The Group and to the R.E.M. song “Exhuming McCarthy.”) Evocative images and impressions permeate the recollections, as when Lamirand writes of one of the group members, “Leigh always used her cigarette to express herself—with grace, sexuality, or pain—even with no one else around.” For readers of a certain generation, the mid-to-late ’90s setting is bound to evoke memories, particularly when references are made to The Limited, My So-Called Life, Pearl Jam, and other cultural markers. Jessica’s trajectory may be a common one, of which she is aware, but it’s told with uncommon finesse and warmth. It’s not told with brevity. The nearly 500 pages might have been condensed without loss to the overall effect, and the ending does not answer as many questions as might be desired.
A nostalgia-infused ode to youthful stumbles and joys.Pub Date: March 10, 2015
ISBN: N/A
Page Count: 507
Publisher: Ambient Light Publishers
Review Posted Online: Feb. 17, 2015
Review Program: Kirkus Indie
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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