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THE SPACE BETWEEN US

Amelia and Charly are very close, but as different as siblings can be: Amelia focuses on academics and athletics, and is...

Teen pregnancy is a source of shame in this disappointing second outing from Martinez (Virtuosity, 2011).

Amelia and Charly are very close, but as different as siblings can be: Amelia focuses on academics and athletics, and is almost prissy in her moral uprightness, while Charly flirts with the boundaries of acceptable behavior for preachers’ kids with her devil-may-care antics and free-spirited adventures. When Charly discovers that she’s pregnant after what appears to be a one-night stand, the girls’ grandmother chooses a very mid-20th-century approach to squashing the inevitable conservative small-town gossip, sending the girls to live with their late mother’s sister, Bree, in Calgary, until Charly gives birth and selects adoptive parents for her baby. Grandma’s jaw-droppingly retro decision, motivated by a wish to protect the girls’ father from the truth, means that both girls have to go to maintain the fiction of going to acquaint themselves with their Canadian relatives. Amelia, furious at being so out of control of her life, lashes out repeatedly at Charly. Amelia doesn’t exercise much self-awareness until she sees how gracefully Ezra—the cute library worker with whom she enjoys crackling chemistry—handles his own family burdens, and Charly finally confides the terrible secret she’s been hiding. This old-fashioned–feeling problem novel lets readers down in its focus on shame rather than the hugely life-altering results of teen pregnancy.

Pub Date: Oct. 16, 2012

ISBN: 978-1-4424-2055-7

Page Count: 400

Publisher: Simon Pulse/Simon & Schuster

Review Posted Online: Aug. 14, 2012

Kirkus Reviews Issue: Sept. 15, 2012

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DEAD WEDNESDAY

Characters to love, quips to snort at, insights to ponder: typical Spinelli.

For two teenagers, a small town’s annual cautionary ritual becomes both a life- and a death-changing experience.

On the second Wednesday in June, every eighth grader in Amber Springs, Pennsylvania, gets a black shirt, the name and picture of a teen killed the previous year through reckless behavior—and the silent treatment from everyone in town. Like many of his classmates, shy, self-conscious Robbie “Worm” Tarnauer has been looking forward to Dead Wed as a day for cutting loose rather than sober reflection…until he finds himself talking to a strange girl or, as she would have it, “spectral maiden,” only he can see or touch. Becca Finch is as surprised and confused as Worm, only remembering losing control of her car on an icy slope that past Christmas Eve. But being (or having been, anyway) a more outgoing sort, she sees their encounter as a sign that she’s got a mission. What follows, in a long conversational ramble through town and beyond, is a day at once ordinary yet rich in discovery and self-discovery—not just for Worm, but for Becca too, with a climactic twist that leaves both ready, or readier, for whatever may come next. Spinelli shines at setting a tongue-in-cheek tone for a tale with serious underpinnings, and as in Stargirl (2000), readers will be swept into the relationship that develops between this adolescent odd couple. Characters follow a White default.

Characters to love, quips to snort at, insights to ponder: typical Spinelli. (Fiction. 12-15)

Pub Date: Aug. 3, 2021

ISBN: 978-0-593-30667-3

Page Count: 240

Publisher: Knopf

Review Posted Online: May 31, 2021

Kirkus Reviews Issue: June 15, 2021

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NYXIA

From the Nyxia Triad series , Vol. 1

Fast-moving and intriguing though inconsistent on multiple fronts.

Kids endure rigorous competition aboard a spaceship.

When Babel Communications invites 10 teens to participate in “the most serious space exploration known to mankind,” Emmett signs on. Surely it’s the jackpot: they’ll each receive $50,000 every month for life, and Emmett’s mother will get a kidney transplant, otherwise impossible for poor people. They head through space toward the planet Eden, where they’ll mine a substance called nyxia, “the new black gold.” En route, the corporation forces them into brutal competition with one another—fighting, running through violent virtual reality racecourses, and manipulating nyxia, which can become almost anything. It even forms language-translating facemasks, allowing Emmett, a black boy from Detroit, to communicate with competitors from other countries. Emmett's initial understanding of his own blackness may throw readers off, but a black protagonist in outer space is welcome. Awkward moments in the smattering of black vernacular are rare. Textual descriptions can be scanty; however, copious action and a reality TV atmosphere (the scoreboard shows regularly) make the pace flow. Emmett’s first-person voice is immediate and innocent: he realizes that Babel’s ruthless and coldblooded but doesn’t apply that to his understanding of what’s really going on. Readers will guess more than he does, though most confirmation waits for the next installment—this ends on a cliffhanger.

Fast-moving and intriguing though inconsistent on multiple fronts. (Science fiction. 12-16)

Pub Date: Sept. 12, 2017

ISBN: 978-0-399-55679-1

Page Count: 384

Publisher: Crown

Review Posted Online: July 14, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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