A needed collection to broaden understanding of the many different faces of history
Editor Spotswood offers a collection of historical stories about young women, bold and brave, many who traverse territory slated only for men.
Rebekah, who comes from an Orthodox Jewish family, defies the traditional patriarchal hierarchy of the faith when she secretly meets with her friend Caleb to study Torah, forbidden to women. When these secret meetings are discovered, Rebekah is forced to make the bold choice of allegiance to religious tradition or her desire to be educated in it. In the 19th-century Southwest, Ray is a Mexican girl who poses as a boy to work as a stevedore among men while cheating them at cards to raise funds to reunite with her long-lost family. In “Lady Firebrand,” interracial friends Pauline and Rose conspire to undermine the Confederacy by acting as undercover saboteurs for the Union. Crossing genres into fantasy, Emma McGee is a young black girl whose family has discovered a potion that gives them immortality. As U.S. involvement in World War II heightens, Emma is torn between keeping her family’s secret and her desire to serve in the Army Nurse Corps. These are tales across time and cultures, offering diverse women as witnesses to historical times. Contributor Dhonielle Clayton sums up the necessity of such an anthology when she writes, “There are few stories about what nonwhite people endured [during World War II], and I wanted to explore that.”
A needed collection to broaden understanding of the many different faces of history . (Anthology. 14-18)Pub Date: March 13, 2018
ISBN: 978-0-7636-9425-8
Page Count: 320
Publisher: Candlewick
Review Posted Online: Dec. 10, 2017
Kirkus Reviews Issue: Jan. 15, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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A standing ovation.
Tackles family secrets, toxic masculinity, and socio-economic differences with incisive clarity and candor.
Camino Rios lives in the Dominican Republic and yearns to go to Columbia University in New York City, where her father works most of the year. Yahaira Rios, who lives in Morningside Heights, hasn’t spoken to her dad since the previous summer, when she found out he has another wife in the Dominican Republic. Their lives collide when this man, their dad, dies in an airplane crash with hundreds of other passengers heading to the island. Each protagonist grieves the tragic death of their larger-than-life father and tries to unravel the tangled web of lies he kept secret for almost 20 years. The author pays reverent tribute to the lives lost in a similar crash in 2001. The half sisters are vastly different—Yahaira is dark skinned, a chess champion who has a girlfriend; Camino is lighter skinned, a talented swimmer who helps her curandera aunt deliver neighborhood babies. Despite their differences, they slowly forge a tenuous bond. The book is told in alternating chapters with headings counting how many days have passed since the fateful event. Acevedo balances the two perspectives with ease, contrasting the girls’ environments and upbringings. Camino’s verses read like poetic prose, flowing and straightforward. Yahaira’s sections have more breaks and urgent, staccato beats. Every line is laced with betrayal and longing as the teens struggle with loving someone despite his imperfections.
A standing ovation. (Verse novel. 14-18)Pub Date: May 5, 2020
ISBN: 978-0-06-288276-9
Page Count: 432
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: March 1, 2020
Kirkus Reviews Issue: March 15, 2020
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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