INFINITE DIMENSIONS

Flawed and struggling characters face their mistakes and suffer the consequences in Treadway’s short story collection.

In “Providence,” a woman meets her addiction personified on the same night that she meets her idol. In “Sky Harbor,” another woman confronts an act of emotional infidelity that destroyed her marriage and broke her son’s heart. And in “A Flying Bird,” a third woman impulsively steals a cake out of someone’s car—and eats it. In the universe of Treadway’s stories, which are strongly character-driven, some people recur while others are featured only once. Conflict is frequently conveyed through internal dialogue, though the spoken dialogue is believable and true to each character as well. Whether the conflict is large or small, the characters are united by references in each story to a fictional Russian writer’s short story about a housewife and a talking sugar bowl; this weaves a whimsical link from story to story and also makes it clear that while each story stands alone, they are also meant to serve as parts of a whole. These passing references to the sugar bowl story provide a glimpse of the unifying themes of this collection: an exploration of the little voices we heed and those we ignore; the suggestion that there is some other life just outside the reach of our fingertips—a life more surreal, a life that reflects the roads not taken, the things said or left unsaid and often regretted. Treadway will leave readers reflecting on choices we’ve made that have set us on our current paths, but she also allows space for us to believe that we can change direction if we only listen to the voices of our “sugar bowls”—instead of questioning our own sanity.

Thought-provoking and engaging.