by Jessica Verdi ‧ RELEASE DATE: March 27, 2018
Verdi’s book is a triumph—an exquisite mirror in which trans parents and their children will see themselves. And for once,...
Eighteen-year-old white tennis phenom Dara is so good that her coach wants her to start competing in tournaments, and she’ll need a passport—but her single mother, Mellie, is short on cash and has no interest in supporting Dara’s tennis career.
Mellie insists she lost Dara’s birth certificate, but one day after Mellie leaves for work, Dara finds it in a locked box—along with other secrets that flip her world over. Her birth mother was struck by a car and killed before Dara turned 1, and Mellie—her father—is transgender and kept it all from Dara. Furious and hurt and accompanied by her Indian-American best friend, Sam, Dara goes to find her birth mother’s family. Mellie’s baffling series of lies to her daughter is revealed to have very good reasons, and the story behind them unfolds in a series of emails Mellie sends to Dara as she’s on the road. Dara is the main character, but Mellie is the book’s heart, and she’s incredible: a complicated, soulful, talented, and loving transwoman whose emails could be their own book. Verdi’s respect and care are evident in every character in the book, no matter how brief their appearance, especially boy-next-door Sam and Dara’s wealthy, ultraconservative grandparents, who, although they do some terrible things, aren’t written off as evil.
Verdi’s book is a triumph—an exquisite mirror in which trans parents and their children will see themselves. And for once, the reflection won’t break their hearts. (Fiction. 14-adult)Pub Date: March 27, 2018
ISBN: 978-1-338-15053-7
Page Count: 368
Publisher: Point/Scholastic
Review Posted Online: Dec. 2, 2017
Kirkus Reviews Issue: Jan. 1, 2018
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by Maddox Lyons & Jessica Verdi ; illustrated by Dana Simpson
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by Daniel Aleman ‧ RELEASE DATE: May 4, 2021
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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by Kathleen Glasgow ‧ RELEASE DATE: Aug. 30, 2016
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
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New York Times Bestseller
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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