KIRKUS REVIEW
In a story that explicitly recalls the murder of Tamir Rice, Jerome, a 12-year-old black boy killed by a white Chicago cop, must, along with the ghosts of Emmett Till and others, process what has happened and how.
With the rising tide of today’s Movement for Black Lives, there has been a re-examination of how the 1955 murder of Emmett Till became the fuel for the mid-20th-century civil rights movement. With this narrative in mind, Rhodes seeks to make Till’s story relevant to the post-millennial generation. Readers meet Jerome, who’s bullied at his troubled and underfunded neighborhood school, just at the time that Latinx newcomer Carlos arrives from San Antonio. After finding that Carlos’ toy gun may help keep the school bullies at bay, Jerome is taken by surprise while playing in the park when a white arriving police officer summarily shoots him dead. The police officer’s daughter, Sarah, is the only character who can truly see the ghost boys as they all struggle to process that day and move forward. Written in nonlinear chapters that travel between the afterlife and the lead-up to the unfortunate day, the novel weaves in how historical and sociopolitical realities come to bear on black families, suggesting what can be done to move the future toward a more just direction—albeit not without somewhat flattening the righteous rage of the African-American community in emphasizing the more palatable universal values of “friendship. Kindness. Understanding.”
A timely, challenging book that’s worthy of a read, further discussion, and action. (Fiction. 8-12)
