A popular peace anthem makes its picture-book debut, with simple lyrics celebrating the hope for a better world. In 1955, a group of 180 teenagers linked arms and hearts and sang this song. It has since been recorded by numerous artists, strummed around campfires and used as a theme for UNICEF. In radiant, familiar Diaz style, peace symbols from around the world illuminate the text. Glowing white doves settle next to curling tufts of grass, while fiery red cranes fly overhead. Teaching world peace is inarguably worthwhile. But the purpose of this song isn’t to explain peace; instead, it is a call to individual action. The words “let it begin with me” are powerful—even children can do their part. Will the song resonate as much with young readers as it did with the original teenagers who first banded together? Likely not. But kids play a vital role in changing this world. The more quickly they learn that everyone can make a difference, the better. (CD, sheet music, history of song and composers, list of peace symbols) (Picture book. 7-10)
Pub Date: Sept. 1, 2009
ISBN: 978-1-58246-285-1
Page Count: 32
Publisher: Tricycle
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2009
This longer Christmas story centers on an embroidered tapestry purchased to hang in a church for the Christmas Eve service. As with many of her works, Polacco (When Lightning Comes in a Jar, p. 665, etc.) sets her story in Michigan, this time in wintry Detroit. Young Jonathan resents his family’s recent move from Tennessee to where his minister father has been reassigned to renovate an old church and revive its congregation. Through a series of Dickensian trials and coincidences, the tapestry is purchased to cover some water damage to a church wall, and an elderly Jewish woman (and Holocaust survivor) whom the family has befriended recognizes the tapestry as the one she made in pre-WWII Germany for her wedding ceremony. In an ending worthy of O. Henry, the repairman who arrives on Christmas Eve to inspect the water damage turns out to be the woman’s long-lost husband (each thought the other had died in the Holocaust), and the devoted couple is reunited. Polacco succeeds as always with her watercolor-and-pencil illustrations in creating unique, expressive characters who seem to have real lives in their snowy city streets, cozy living rooms, and busy church. The gentle, reassuring message, suggested to Jonathan by his kindly father, is that “the universe unfolds as it should,” even when we don’t understand the pattern of the tapestry. (Picture book. 7-10)
Pub Date: Sept. 1, 2002
ISBN: 0-399-23955-3
Page Count: 160
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2002
In a snowbound Swiss village, Matti figures it’s a good day to make a gingerbread man. He and his mother mix a batch of gingerbread and tuck it in the oven, but Matti is too impatient to wait ten minutes without peeking. When he opens the door, out pops a gingerbread baby, taunting the familiar refrain, “Catch me if you can.” The brash imp races all over the village, teasing animals and tweaking the noses of the citizenry, until there is a fair crowd on his heels intent on giving him a drubbing. Always he remains just out of reach as he races over the winterscape, beautifully rendered with elegant countryside and architectural details by Brett. All the while, Matti is busy back home, building a gingerbread house to entice the nervy cookie to safe harbor. It works, too, and Matti is able to spirit the gingerbread baby away from the mob. The mischief-maker may be a brat, but the gingerbread cookie is also the agent of good cheer, and Brett allows that spirit to run free on these pages. (Picture book. 4-8)
Pub Date: Oct. 1, 1999
ISBN: 0-399-23444-6
Page Count: 32
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1999
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