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HEP-CATS, NARCS AND PIPE DREAMS

A HISTORY OF AMERICA'S ROMANCE WITH ILLEGAL DRUGS

A history detailing how, as a society, we have both used drugs and tried to suppress them. From Jonnes's sometimes numbing welter of facts a two-stranded history emerges. One strand follows major clusters of drug users, from the 19th-century ladies with their spiked elixirs, to impoverished, rootless men who became ``pleasure addicts'' after WW I, to young blacks who, excluded from postWW II, middle-class hopes of getting ahead, turned to drugs as a way to be hip, becoming ``deliberate outsiders''; to middle-class whites who took drugs mainstream in the '60s and '70s, with Hollywood adding an aura of glamour to it all. Another, largely separate narrative strand follows large-scale trafficking and our half- hearted efforts to stop it. Although Jonnes discusses criminals, notably Arnold Rothstein, who in the 1920s established a drug-supply system superseded only by that of the Colombian cartels in the 1970s, more fascinating is our government's ambivalence about trafficking. For years the Bureau of Narcotics was led by Harry J. Anslinger, who was more interested in seeming tough than getting results; he ignored corruption in his agency and discouraged scientific research into addiction. Meanwhile, high-level US cold warriors could overlook drug trafficking provided it was conducted by anti-communists, such as members of French military intelligence in Indochina in the 1950s or, more recently, the Contras in Nicaragua. Oddly, after recounting how governmental unreliability and corruption have compromised efforts to reduce addiction, Jonnes puts her faith in law enforcement to reduce the supply of drugs, a move she sees as crucial to long-term change. But the toughest question remains: Will a law-and-order approach produce results or just more Anslingers? Duller than a book on the ``romance'' of drugs should be; but still better on what has happened than on what to do about it. (8 pages b&w photos, not seen)

Pub Date: Aug. 1, 1996

ISBN: 0-684-19670-0

Page Count: 496

Publisher: Scribner

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 1996

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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TOMBSTONE

THE EARP BROTHERS, DOC HOLLIDAY, AND THE VENDETTA RIDE FROM HELL

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.

The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Pub Date: April 21, 2020

ISBN: 978-1-250-21458-4

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Jan. 19, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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