SLEEPY KITTENS

While a neatly phrased rhyme enumerates the places three differently colored kittens can be found napping (``Under Mommy's sewing,/All over Granny's hat,/Snuggling next to Fido,/Or across a cuddly lap''), boldly stylized illustrations depict them snoozing, ``but never in their special box,/They're always where they shouldn't be,/Even in my bed with me. Good night!'' For the youngest, the handsome compositions of solid areas of color varied by a few eyes and whiskers and an occasional patterned passage will serve as an intriguing puzzle as they find the kittens and learn to ``read'' the simple forms. Just right for a toddler's bedtime. (Picture book. 1-4)

Pub Date: May 1, 1994

ISBN: 0-688-13288-X

Page Count: 32

Publisher: Morrow/HarperCollins

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: June 1, 1994

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A fun but inessential novelty, as much toy as book.

YOU ARE MY SUNSHINE

A familiar song repackaged as a board book doubles as a finger puppet.

Many a caregiver has sung this refrain to a newborn or toddler, ignoring the decidedly sad lyrics of the original. Magsamen lays claim and sweetens it up. She uses only the chorus and changes the last line to “I’ll give you lots of hugs… / and kisses every day” instead of the expected “Please don’t take my sunshine away.” Her cheery artwork, reminiscent of applique, recalls the song’s country-music roots and is anything but sad. The pages are decorated with hearts and cuddly-looking caregiver-child animal pairs—foxes, skunks with sunny yellow umbrellas, bunnies, raccoons, and squirrels. The thick, heart-shaped pages include a circular die-cut hole through which readers might poke the smiling felt sun puppet attached to the back cover. A finger inserted from the back makes the sun wiggle and will capture even the youngest baby’s attention. The puppet feature does not obstruct the initial page turns, but when a toddler says, “Do it again” (as they doubtless will), quickly re-positioning the finger puppet is somewhat challenging.

A fun but inessential novelty, as much toy as book. (Board book. 18 mos.-3)

Pub Date: Dec. 26, 2018

ISBN: 978-1-338-30576-0

Page Count: 6

Publisher: Cartwheel/Scholastic

Review Posted Online: Nov. 12, 2018

Kirkus Reviews Issue: Jan. 1, 2019

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  • SPONSORED PLACEMENT

One of those rare thrillers whose answers are even more scarifying than its mysteries.

AFTER ALL I'VE DONE

A middle-aged woman sidelined by a horrific accident finds even sharper pains waiting on the other side of her recuperation in this expert nightmare by Hardy, familiar to many readers as Megan Hart, author of All the Secrets We Keep (2017), etc.

Five months ago, while she was on her way to the hospital with an ailing gallbladder, Diana Sparrow’s car hit a deer on a rural Pennsylvania road. When she awoke, she was minus her gallbladder, two working collarbones (and therefore two functioning arms), and her memory. During a recovery that would’ve been impossible without the constant ministrations of Harriett Richmond, the mother-in-law who’s the real reason Diana married her husband, Jonathan, Diana’s discovered that Jonathan has been cheating on her with her childhood friend Valerie Delagatti. Divorce is out of the question: Diana’s grown used to the pampered lifestyle the prenup she’d signed would snatch away from her. Every day is filled with torments. She slips and falls in a pool of wine on her kitchen floor she’s sure she didn’t spill herself. At the emergency room, her credit card and debit card are declined. She feels that she hates oppressively solicitous Harriett but has no idea why. Her sessions with her psychiatrist fail to heal her rage at her adoptive mother, an addict who abandoned her then returned only to disappear again and die an ugly death. Even worse, her attempts to recover her lost memory lead to an excruciatingly paced series of revelations. Val says Diana asked her to seduce Jonathan. Diana realizes that Cole, a fellow student in her watercolor class, isn’t the stranger she’d thought he was. Where can this maze of deceptions possibly end?

One of those rare thrillers whose answers are even more scarifying than its mysteries.

Pub Date: Nov. 10, 2020

ISBN: 978-1-64385-470-0

Page Count: 310

Publisher: Crooked Lane

Review Posted Online: Aug. 19, 2020

Kirkus Reviews Issue: Sept. 1, 2020

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THE THREE BILLY GOATS GRUFF

In this entry in the Growing Tree series, the publisher copyrights the text, while Carpenter provides illustrations for the story; here, the three billy goats named Gruff play on a nasty troll’s greed to get where the grass is greenest. Logic has never been the long suit of this tale: Instead of letting the two smaller billy goats be terrorized by the mean and ugly troll, children wonder, why doesn’t the biggest billy goat step in sooner? It’s still a good introduction to comparatives, and the repetitiveness of the story invites participation. The artwork matches the story: The characters are suitably menacing, quivering, or stalwart, and the perspectives allow readers to be right there in the thick of the action. (Picture book. 2-4)

Pub Date: June 30, 1998

ISBN: 0-694-01033-2

Page Count: 24

Publisher: HarperFestival

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: May 15, 1998

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