by Jill Lepore ‧ RELEASE DATE: June 7, 2012
A superb examination of the never-ending effort to enhance life, as well as the commensurate refusal to ever let it go.
A sharp, illuminating history of ideas showing how America has wrestled with birth, childhood, work, marriage, old age and death.
Brilliantly written and engaging throughout, the latest from New Yorker staff writer Lepore (American History/Harvard Univ.; The Whites of Their Eyes: The Tea Party’s Revolution and the Battle Over American History, 2011, etc.) is about how American society reacts to change. The author starts with the perfect metaphor: In 1860, a young entrepreneur named Milton Bradley created a popular board game called Life. The game had long existed in earlier versions, but Bradley gave it a capitalist spin, changing it from a game of good versus evil to one that “rewards only those virtues that lead to Wealth and Success, like Industry and Perseverance.” From there, Lepore tackles conception and how the famous pictures of a fetus in Life in the mid ’60s fostered the relatively modern idea of “being unborn as a stage of human life, a stage that was never on any board game.” The author shows how E.B. White’s surprisingly controversial novel Stuart Little created a small revolution in a country that has always worshipped childhood; she sees it as “an indictment of both the childishness of children’s literature and the juvenilization of American culture.” Lepore's topics are broad, and they lead her into many interesting byways—e.g., how eugenics was once considered a perfectly progressive idea and how contraception once seemed to threaten society in ways even Rick Santorum has not imagined. She also considers the legacy of Karen Ann Quinlan, the brain-dead young woman whose case helped foment arguments for both the right to die and the right to life, and discusses her visit to the creepy laboratory of cryogenics founder Robert C.W. Ettinger.
A superb examination of the never-ending effort to enhance life, as well as the commensurate refusal to ever let it go.Pub Date: June 7, 2012
ISBN: 978-0-307-59299-6
Page Count: 304
Publisher: Knopf
Review Posted Online: April 20, 2012
Kirkus Reviews Issue: May 1, 2012
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; illustrated by Mark Podwal
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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