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THE NAME OF WAR

KING PHILIP'S WAR AND THE ORIGINS OF AMERICAN IDENTITY

A superb study of an all-but-forgotten war that, in the author's view, had a profound effect on Anglo-American perceptions of the Indian. First-time author Lepore (History/Boston Univ.) offers an account of the bloody war in 1675 between English settlers and Algonquian Indians in New England, a ``short, vicious'' conflict that, by proportion of population, ``inflicted greater casualties than any other war in American history.'' Her account is peppered with more than the usual atrocities: Men, women, even children are tortured and murdered, whole cities burned. It is also riddled with mysteries; as Lepore notes, the war began thanks to rumor, an unsolved murder, and pent-up but vague hatreds among peoples who had become more and more like one another. The English, far from home, had adopted Native American customs and cuisine, had stopped attending church, had moved farther and farther inland and away from European settlements. The Indians, for their part, had taken to wearing Western clothes, living in houses, and reading the Bible. With identities thus confused, each side waged a war that the other condemned as brutal and savage, and thousands died in the bargain. Lepore's account of the war has the immediacy of journalism, as well as learned asides about anthropological theories of conflict, the effect of literacy on hitherto preliterate populations, the nature of ethnic strife, and, most important, the memory of King Philip's War in New England. That grim memory, she suggests, tempered later policies of war and removal. The war itself continues to resonate today as Native Americans press their claims for land first lost in the conflict's aftermath. ``In the end, this book is just another story about just another war,'' Lepore writes, with wholly undue modesty. Vivid and thoughtful, it is much more than that, and it holds the promise of much good work to come. (33 illustrations, 2 maps, not seen)

Pub Date: Feb. 3, 1998

ISBN: 0-679-44686-9

Page Count: 384

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 1998

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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TOMBSTONE

THE EARP BROTHERS, DOC HOLLIDAY, AND THE VENDETTA RIDE FROM HELL

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.

The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Pub Date: April 21, 2020

ISBN: 978-1-250-21458-4

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Jan. 19, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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