An odd, sketchy attempt to re-create girlhood life in postWW II England, by a far-reaching yet tentative first-novelist. Isobel Cuthbert and younger sister Caro are in a family situation that seems to go only from bad to worse. Their father ran off with another woman, and Iris, their manipulative, uncaring mother, has never really recovered from his departure. Upon deciding to remarry, Iris deliberately removes her children from their beloved seaside home in Cornwall (where their paternal grandparents also live) and relocates in London, where in rapid succession she finds and marries Frank (a strict Catholic) and sends Isobel and Caro off to a convent boarding school. Meanwhile, Frank's teenage niece Ursula, who comes with him as a package deal, is a monster: a junior sophisticate with a heart of steel who has been abandoned by her own mother and begrudges Caro and especially Isobel the scant affection and family life they have. Ursula, too, is sent to the convent, but what should be the focal point of the narrativethe event at the school that changes Isobel and Ursula's lives forevercomes as a far-fetched afterthought: In the blink of an eye it emerges that Ursula is a bisexual seductress who's been carrying on with Father Ryan (who, after a drunken tryst with Ursula, ran over and killed Isobel's best friend Stella's mother) and also with a nun. When Sister Gabriel commits suicide, only Isobel and Stella know that, though Ursula is hardly an innocent, it was their own machinationsmotivated by revenge for her mother's death on Stella's part and payback for years of torture on Isobel'sthat led to this particular tragedy. The final line provides another freakish twist: To believe that, as adults, Isobel and Stella are living as lovers in Cornwall takes an unfathomable leap of faith. Too much atmosphere, too little storyat least of the convincingly motivated kind.

Pub Date: Nov. 1, 1995

ISBN: 0-312-13427-4

Page Count: 224

Publisher: Dunne/St. Martin's

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 1, 1995

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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A strict report, worthy of sympathy.


A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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