A traditional cumulative tale, which Aylesworth (My Sister's Rusty Bike, 1996, etc.) endows with a lively pace, is illustrated in a decidedly old-fashioned style, giving the book the look and feel of a reproduction of an old edition. Working with precise pen-and-ink, McClintock portrays the cozy home of an elderly couple, dressed in Victoriana and in possession of a great wood-burning stove. Her work has never been more animated than in the scenes of the two-dimensional gingerbread man running away, exuberantly eluding everyone elsethe couple, a butcher, and a cow and pig dressed in human clothesuntil he is devoured by a fox. The portrayals of a cow and pig are more bizarre than charming, and the too-obvious wrinkles on the elderly people's faces are one example of eccentric choices on the part of the illustrator.With Richard Egielski's The Gingerbread Boy (1997) hot off the press and other fine variations of the tale still in print, it's hard to make the case for this one, other than to appreciate its antique look. (Picture book/folklore. 4-6)
Pub Date: April 1, 1998
ISBN: 0-590-97219-7
Page Count: 32
Publisher: Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 1998
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Loewen’s story is a simple snapshot of kindergarten graduation day, and it stays true to form, with Yoshikawa’s artwork resembling photos that might be placed in an album—and the illustrations cheer, a mixed media of saturated color, remarkable depth and joyful expression. The author comfortably captures the hesitations of making the jump from kindergarten to first grade without making a fuss about it, and she makes the prospect something worth the effort. Trepidation aside, this is a reminder of how much fun kindergarten was: your own cubbyhole, the Halloween parade, losing a tooth, “the last time we’ll ever sit criss-cross applesauce together.” But there is also the fledgling’s pleasure at shucking off the past—swabbing the desks, tossing out the stubbiest crayons, taking the pictures off the wall—and surging into the future. Then there is graduation itself: donning the mortarboards, trooping into the auditorium—“Mr. Meyer starts playing a serious song on the piano. It makes me want to cry. It makes me want to march”—which will likely have a few adult readers feeling the same. (Picture book. 4-5)
Pub Date: Feb. 1, 2011
ISBN: 978-0-7614-5807-4
Page Count: 32
Publisher: Marshall Cavendish
Review Posted Online: Jan. 8, 2011
Kirkus Reviews Issue: Jan. 15, 2011
The author of A Piece of String is a Wonderful Thing (1993) and a greeting-card illustrator take a cautious walk down a jungle path: ``When you go into the jungle, go carefully. It's a wild place. In every shadow there could be a snake curled quietly.... You'll never see them, they're too wild and sly. Wild things never look you in the eye.'' Epps's simply drawn oils convey little of this feeling however; two children walk through a spacious, gardenlike landscape festooned with smiling animals ``hiding'' in plain sight—and making plenty of eye contact with the viewer. This poor match between text and pictures won't take readers nearly as deep into the ``wild place'' as Jane Yolen's Welcome to the Green House (1993). (Picture book. 4-6)
Pub Date: Aug. 1, 1994
ISBN: 1-56402-423-7
Page Count: 32
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1994
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