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LOVELESS IN THE NAM

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Frank Loveless, the hapless protagonist of Boersema’s novel, may be the poster child for John Lyly’s quote, “The rules of fair play do not apply in love and war”; despite being an admitted coward, seducer and habitual liar, Loveless often comes out on top in this amusing story of one man’s accidental success in war.

Loveless’ story, told as a found memoir after he disappears in 1992, relates how he began his career as a callow youth in 1968. Graduating from a lackluster college career capped with a misadventure in the Bahamas, Loveless is shanghaied into the military by his disapproving father and shipped off to Vietnam. His inexplicable ability to bed any woman he wants lands him in hot water—getting his orders switched from a cushy desk job to infantry grunt, to begin with—but he keeps landing in glory. Awarded numerous medals and accolades due to cowardice and incredible luck, Loveless nevertheless finds a way to mess things up, usually through his efforts to sleep with virtually every woman to catch his eye. Despite Loveless’ extensive laundry list of faults, Boersema makes his protagonist endearing, mainly through his unflinching honesty on the page and the cheerful charm with which Loveless lives his life. The wry satirical edge with which the story begins—a lengthy anecdote opening with a can of beans and ending with Loveless’ first medal—wavers throughout the story, as the author seems unsure at times whether he’s telling a serious story with a comical protagonist or vice versa. Still, despite the uneven tone, Loveless as a character remains clear, and his adventures are entertaining throughout, even when foreshadowing toward Loveless’ future adventures becomes heavy-handed. An engagingly flawed protagonist and a grounded sense of reality make Boersema’s novel a smooth, fitfully thoughtful entertainment.

 

Pub Date: July 14, 2011

ISBN: 978-1434911766

Page Count: 212

Publisher: Dorrance Publishing Co.

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Nov. 15, 2011

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WE WERE THE LUCKY ONES

Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.

Hunter’s debut novel tracks the experiences of her family members during the Holocaust.

Sol and Nechuma Kurc, wealthy, cultured Jews in Radom, Poland, are successful shop owners; they and their grown children live a comfortable lifestyle. But that lifestyle is no protection against the onslaught of the Holocaust, which eventually scatters the members of the Kurc family among several continents. Genek, the oldest son, is exiled with his wife to a Siberian gulag. Halina, youngest of all the children, works to protect her family alongside her resistance-fighter husband. Addy, middle child, a composer and engineer before the war breaks out, leaves Europe on one of the last passenger ships, ending up thousands of miles away. Then, too, there are Mila and Felicia, Jakob and Bella, each with their own share of struggles—pain endured, horrors witnessed. Hunter conducted extensive research after learning that her grandfather (Addy in the book) survived the Holocaust. The research shows: her novel is thorough and precise in its details. It’s less precise in its language, however, which frequently relies on cliché. “You’ll get only one shot at this,” Halina thinks, enacting a plan to save her husband. “Don’t botch it.” Later, Genek, confronting a routine bit of paperwork, must decide whether or not to hide his Jewishness. “That form is a deal breaker,” he tells himself. “It’s life and death.” And: “They are low, it seems, on good fortune. And something tells him they’ll need it.” Worse than these stale phrases, though, are the moments when Hunter’s writing is entirely inadequate for the subject matter at hand. Genek, describing the gulag, calls the nearest town “a total shitscape.” This is a low point for Hunter’s writing; elsewhere in the novel, it’s stronger. Still, the characters remain flat and unknowable, while the novel itself is predictable. At this point, more than half a century’s worth of fiction and film has been inspired by the Holocaust—a weighty and imposing tradition. Hunter, it seems, hasn’t been able to break free from her dependence on it.

Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.

Pub Date: Feb. 14, 2017

ISBN: 978-0-399-56308-9

Page Count: 416

Publisher: Viking

Review Posted Online: Nov. 21, 2016

Kirkus Reviews Issue: Dec. 1, 2016

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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