A one-of-a-kind mystery that will appeal most to a niche audience of hosta aficionados.
In this mystery, a gardener unravels the story of what happened to his missing friend with some help from an unusual source.
Herman Funk—“Funky” to those who know him well—is an unassuming man with a passion for hosta plants. His life as a professional gardener is mostly one of quiet activity as he tends to his clients’ foliage and tries to warn people about the dangers of climate change. Then he starts hearing disembodied voices as he works in the garden. The messages seem to be a riddle he’s meant to solve, but who, or what, is sending them? And could they be somehow connected to the mysterious disappearance of Funky’s former client, Elisabeth Burgess, a decade prior? Meanwhile, a Mexican immigrant named Demetrio Perez gets ensnared in the mystery when he starts working for a sketchy character who’s also a hosta fanatic. Henry (Writing Workplace Cultures, 2000) subtitles his debut work of fiction “a magical realist gardening mystery,” and it’s an appropriate description for this quirky, creative novel. In it, hostas are revealed to be sentient beings with a complex, nuanced system of communication. The author writes numerous chapters from these plants’ perspectives, and they have personalities as varied as the humans who tend them. Along the way, Henry also weaves in plenty of details about the care and planting of hostas. (The author serves on the board of the American Hosta Society, and the book was first serialized in that society’s online journal.) His efforts will surely delight fellow hosta enthusiasts, and those who know little about the popular perennials will come away with a greater knowledge of them. There are plenty of hosta jokes along the way; when a character asks Funky what he thinks of Spilt Milk, a hosta variety, Funky replies, “No sense crying over it.” Unfortunately, the novel spends so much time delving into the details of rearing hostas that it takes a while for the core mystery to get going. However, patient readers will be rewarded with a unique whodunit that touches on important environmental issues.
A one-of-a-kind mystery that will appeal most to a niche audience of hosta aficionados.Pub Date: May 1, 2017
ISBN: N/A
Page Count: 566
Publisher: Cedarwood Press
Review Posted Online: May 25, 2018
Kirkus Reviews Issue: July 1, 2018
Review Program: Kirkus Indie
BOOK REVIEW
Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet...
Four Chicago sisters anchor a sharp, sly family story of feminine guile and guilt.
Newcomer Lombardo brews all seven deadly sins into a fun and brimming tale of an unapologetically bougie couple and their unruly daughters. In the opening scene, Liza Sorenson, daughter No. 3, flirts with a groomsman at her sister’s wedding. “There’s four of you?” he asked. “What’s that like?” Her retort: “It’s a vast hormonal hellscape. A marathon of instability and hair products.” Thus begins a story bristling with a particular kind of female intel. When Wendy, the oldest, sets her sights on a mate, she “made sure she left her mark throughout his house—soy milk in the fridge, box of tampons under the sink, surreptitious spritzes of her Bulgari musk on the sheets.” Turbulent Wendy is the novel’s best character, exuding a delectable bratty-ness. The parents—Marilyn, all pluck and busy optimism, and David, a genial family doctor—strike their offspring as impossibly happy. Lombardo levels this vision by interspersing chapters of the Sorenson parents’ early lean times with chapters about their daughters’ wobbly forays into adulthood. The central story unfurls over a single event-choked year, begun by Wendy, who unlatches a closed adoption and springs on her family the boy her stuffy married sister, Violet, gave away 15 years earlier. (The sisters improbably kept David and Marilyn clueless with a phony study-abroad scheme.) Into this churn, Lombardo adds cancer, infidelity, a heart attack, another unplanned pregnancy, a stillbirth, and an office crush for David. Meanwhile, youngest daughter Grace perpetrates a whopper, and “every day the lie was growing like mold, furring her judgment.” The writing here is silky, if occasionally overwrought. Still, the deft touches—a neighborhood fundraiser for a Little Free Library, a Twilight character as erotic touchstone—delight. The class calibrations are divine even as the utter apolitical whiteness of the Sorenson world becomes hard to fathom.
Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet another pleasurable tendril of sisterly malice uncurls.Pub Date: June 25, 2019
ISBN: 978-0-385-54425-2
Page Count: 544
Publisher: Doubleday
Review Posted Online: March 3, 2019
Kirkus Reviews Issue: March 15, 2019
SEEN & HEARD
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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