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A Beer Drinker's Guide To Knowing And Enjoying Fine Wine

Cheers to this spirited, perceptive guide.

Awards & Accolades

Our Verdict

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  • Kirkus Reviews'
    Best Books Of 2013

For all the beer-drinking die-hards, Laughren serves an enticing, thorough, though not suffocating introduction to hops’ fermented friend, the grape.

Though the shelves creak under the weight of wine books for dummies and gun-shy tipplers terrified by wine-speak, here’s a welcome addition that’s relaxed, inviting and intelligent. Laughren is a bon vivant without being a boob, a sensualist even if he wouldn’t put it that way. He likes his beer—the book is liberally sprinkled with beer wisdom, as if to soothe the wary brewer—but he’s also a big fan of wine, and he wants readers in on the action. He aims to provide an unintimidating yet rich tour through the world of wine, highlighting its conviviality but undergirding it with a candid sense of what’s in the glass. With a healthy dose of detail, Laughren touches on the history of wine, factors in its production and an appreciation of terroir. He sketches various social scenarios and the wines he might choose to complement them: a zinfandel with a basketball game on TV; a big, young Brunello di Montalcino when the brothers of your new squeeze stop by to check you out; a cabernet sauvignon for dinner with the boss; a dry sherry when the squeeze comes over to break up with you. A sweet, bright humor pervades the book, as Laughren makes wine tasting sound like fun rather than an opportunity to embarrass yourself. His descriptions—“like sucking stones and chips of slate dipped in lime and lychee juice”—require attention. He’s chummy, like a knowledgeable friend who doesn’t need to wear it on his sleeve, though the insight seeps through. Most importantly, he’s on your side: “there’s no need to excuse your preferences,” he says, but be open to new experiences. Also included are excellent maps of wine-producing regions and a brief survey of various oenological tools.

Cheers to this spirited, perceptive guide.

Pub Date: Dec. 10, 2012

ISBN: 978-0985533618

Page Count: 206

Publisher: Crosstown Publishing Inc.

Review Posted Online: March 19, 2013

Kirkus Reviews Issue: April 15, 2013

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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