by Jim Lehrer ‧ RELEASE DATE: March 31, 2009
The understated tone of this Everyman’s Citizen Kane perfectly suits Lehrer’s gifts, as he eschews his usual satiric stance...
A young ex-Marine pursues two ideals, a major-league baseball career and a young woman he knows only as Betsy, in Lehrer’s bittersweet 19th novel (Mack to the Rescue, 2008, etc.).
It’s 1944, and Johnny Wrigley is 17 and green as grass when the troop transport taking him from Baltimore to California stops off in Wichita, Kan. Though the stop lasts barely half an hour, it’s long enough for Johnny to lose his virginity with Betsy, one of the girls who came to meet the train with apples and smokes for the recruits. Johnny can see that Betsy is religious in an oddly directive way he’s never encountered before. But he also knows from the first that he loves her in a way he’ll never love anyone else, and in a series of letters he composes but never writes down, he pledges his love and vows that he’ll return. That turns out to be a tall order. First Johnny has to survive brutal combat on the island of Peleliu, where he’s been trained to use a flamethrower—an assignment that turns him into a target and gives him a worm’s-eye view of horrific casualties, including those he inflicts himself. Then, on his return stateside, he has to search fruitlessly through Wichita and environs for Betsy before giving up and returning home to Lafayette, Md. Eagerly embraced by his fond mother and the kid sister of a friend who was killed in Europe, Johnny reverts to his original dream: becoming a baseball star in the mold of his idol, Brooklyn Dodgers center fielder Pete Reiser. This dream also goes bad, leaving Johnny with nothing but a menial job and his hopes of returning to both baseball and Betsy. Eventually his dreams come true, but not quite in the way he expected.
The understated tone of this Everyman’s Citizen Kane perfectly suits Lehrer’s gifts, as he eschews his usual satiric stance for a warmhearted evocation of the road not taken.Pub Date: March 31, 2009
ISBN: 978-1-4000-6762-6
Page Count: 240
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2009
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by Nora Roberts ‧ RELEASE DATE: June 13, 1995
Thoroughbreds and Virginia blue-bloods cavort, commit murder, and fall in love in Roberts's (Hidden Riches, 1994, etc.) latest romantic thriller — this one set in the world of championship horse racing. Rich, sheltered Kelsey Byden is recovering from a recent divorce when she receives a letter from her mother, Naomi, a woman she has believed dead for over 20 years. When Kelsey confronts her genteel English professor father, though, he sheepishly confesses that, no, her mother isn't dead; throughout Kelsey's childhood, she was doing time for the murder of her lover. Kelsey meets with Naomi and not only finds her quite charming, but the owner of Three Willows, one of the most splendid horse farms in Virginia. Kelsey is further intrigued when she meets Gabe Slater, a blue-eyed gambling man who owns a neighboring horse farm; when one of Gabe's horses is mated with Naomi's, nostrils flare, flanks quiver, and the romance is on. Since both Naomi and Gabe have horses entered in the Kentucky Derby, Kelsey is soon swept into the whirlwind of the Triple Crown, in spite of her family's objections to her reconciliation with the notorious Naomi. The rivalry between the two horse farms remains friendly, but other competitors — one of them is Gabe's father, a vicious alcoholic who resents his son's success — prove less scrupulous. Bodies, horse and human, start piling up, just as Kelsey decides to investigate the murky details of her mother's crime. Is it possible she was framed? The ground is thick with no-goods, including haughty patricians, disgruntled grooms, and jockeys with tragic pasts, but despite all the distractions, the identity of the true culprit behind the mayhem — past and present — remains fairly obvious. The plot lopes rather than races to the finish. Gambling metaphors abound, and sexual doings have a distinctly equine tone. But Roberts's style has a fresh, contemporary snap that gets the story past its own worst excesses.
Pub Date: June 13, 1995
ISBN: 0-399-14059-X
Page Count: 400
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1995
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by Graham Swift ‧ RELEASE DATE: April 5, 1996
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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