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Punitive Damages

A captivating story of one dog’s experience of crisis and healing, illustrated with the author’s evocative portraits of...

A kindhearted couple rescues a down-on-her-luck Weimaraner, but now all parties must face a five-day trial period.

Stories of animal-human bonding are not uncommon, but what sets Lively’s (The Puzzle Aesthetic, 2012) novella apart is the fact that the story is told from the point of view of a dog. When readers first meet the story’s protagonist, a Weimaraner, she is on a hospital bed being treated for injuries from an accident she can’t remember. As her mind clears, she realizes that she has no recollection of anything from her previous life, not even her name. But she becomes ever more certain that she “must be of aristocratic stock,” as she is all too aware of the indignities of institutional life in the animal hospital as she heals from her fractured leg and broken teeth. She is eventually adopted by a “grumpy guy” and his “kinder and gentler” female partner, who give her the name PJ. As the three get to know each other, PJ teaches her new owners about her needs by using her wits and dexterity to escape from every restraint and enclosure, often with hilariously destructive results. Although the man becomes increasingly irritated with each new transgression, his essential good nature, coupled with the patient and perceptive influence of the woman, leads to eventual understanding and true friendship between dog and human. Lively’s writing is vivid and engaging, and he creates three believable and memorable characters. His detailed description of PJ’s perspective on the trial period of her adoption may offer important insights to help new pet owners understand the emotional needs that lie behind destructive behavior. The author skillfully introduces PJ’s point of view, with a focus on scent that makes it realistically doglike. But developing such an alternative narration becomes complex, and Lively never makes it clear how PJ can understand the couple’s English conversations perfectly, yet she seems unable to communicate directly with the other dogs she encounters. Such inconsistencies jar a little, and a reader is left feeling that PJ’s existence must be a little lonely with so much knowledge and so few ways to express herself. Perhaps a series of PJ books is in order to allow the further exploration of the inner world of dogs.

A captivating story of one dog’s experience of crisis and healing, illustrated with the author’s evocative portraits of Weimaraners.

Pub Date: June 30, 2016

ISBN: 978-1-939166-97-5

Page Count: 174

Publisher: Merrimack Media

Review Posted Online: Sept. 9, 2016

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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