Next book

STORY STORY STORY

CONVERSATIONS WITH AMERICAN AUTHORS

Schumock’s interviews with writers on his Portland, Ore., radio program are generally entertaining if not enlightening. These transcriptions of one-hour talks from KBOO radio’s Between the Covers program suffer from a lack of framework. No dates are given for the interviews; the brief author bios are updated only to the time of the interview, not to this book’s publication. Thus, there are vague references to a “most recent” novel or “latest” collection, but no mention of a writer’s later works or accomplishments. And Schumock’s prefatory remark that “anyone who reads this book in its entirety will gain a much broader perspective on American literature in the second half of the 20th century” certainly overstates his case. The lack of time-frame doesn’t matter much in some of the interviews: William Styron’s focuses on literary influences and his determination that his first novel, Lie Down in Darkness, not be a “standard, autobiographical, young man’s novel.” Schumock discusses literary influences with several of the writers, most effectively with Thomas McGuane, who cites Malcolm Lowry’s Under the Volcano as “essential reading for modern writers.” Paul Theroux’s interview, done near the release of My Other Life (1996), looks at autobiography, noting that the author is, in effect, a “character” similar to a fictional creation. Lorrie Moore, one of just three women collected here (the others are Carol Shields and Carolyn Kizer) sees writing as “the process of creating new worlds . . . a kind of scary and mad project.” In Tobias Wolff’s fascinating interview, the acclaimed short-story writer connects the “fragmented nature” of his transient youth with his reluctance to attempt a full-length novel. Almost all the interviews are concluded with the silly convention of asking, if you were stranded on a desert isle, what two books would you want? Surprisingly few had clever responses. Sufficient introductory and follow-up material might have provided a boost for this merely diverting collection. (10 pp. author photos, not seen)

Pub Date: Nov. 15, 1998

ISBN: 0-930773-51-9

Page Count: 280

Publisher: Black Heron

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 1998

Categories:
Next book

THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

Categories:
Next book

NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:
Close Quickview