by Jincy Willett ‧ RELEASE DATE: Aug. 23, 2022
A riotous, breathless, winking, strangely feel-good romp.
In her third book about novelist and erstwhile workshop teacher Amy Gallup, a (possibly serial!) murder falls into Amy’s lap, and violence, hijinks, and romance ensue.
It’s been several years since Amy fought off a killer writer, and she’s enjoying the peace and quiet—living with her dog and “working” every day (even when that just means staring at a blank screen). Her former pupil Carla Karolak is finding success with Inspiration Point, a writing colony of sorts. Then one day Carla finds something unexpected in one of the writing cells: a body. Soon Carla, her co-worker Tiffany, the workshop crew from Amy’s previous class, and Amy herself are awash in bodies, some of which are dismembered, some not. Enter a ridiculously smarmy “Writing Guru” and a gifted children’s author who may or may not be a mystic. The local police will only be so much help, so Carla and Amy, plus Tiffany and former workshop member Chuck, must team up to flush out the murderer and solve the case. The energetic tongue-in-cheek tone creates an interesting complement to—and veil for—the fact that this story is both gory and psychologically intense. When Amy confronts the killer at last, Willett chooses to ascribe the pronoun it to the killer, calling it “a creature” and effectively erasing any sense of humanity while dialing up the creepiness. This decision neatly symbolizes the moral that serial killers do not deserve the fame and notoriety that often help drive their actions; Amy muses that killing for sport renders one “an error of evolution.” The novel effectively refuses to excuse our own voyeuristic tendencies when it comes to serial killers, though—recognizing that it has just provided an elaborate fictional story for entertainment that centers around a brutal serial killer. What a delightfully mind-bending and complicit place to land.
A riotous, breathless, winking, strangely feel-good romp.Pub Date: Aug. 23, 2022
ISBN: 978-1-2502-7514-1
Page Count: 400
Publisher: St. Martin's
Review Posted Online: June 7, 2022
Kirkus Reviews Issue: July 1, 2022
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by C.J. Box ‧ RELEASE DATE: Feb. 27, 2024
A tale that’s hard to believe but easy to swallow in a single gulp.
A bear is hunting prey in Wyoming’s Bighorns. And not just any bear.
It’s bad enough that Clay Hutmacher, who manages the Double Diamond Ranch, has lost his son, Clay Jr., to a vicious attack by a grizzly bear. What’s much worse is that Clay Jr.—who’d been about to pop the question to game warden Joe Pickett’s daughter, Sheridan—is only the first of the victims over an exceptionally broad geographical area. Marshal Marvin Bertignolli is clawed and bitten to death over in Hanna. Sgt. Ryan Winner is found bleeding out north of Rawlins. Former Twelve Sleep County prosecutor Dulcie Schalk, one of two survivors of an ambush, doesn’t survive her final encounter. The four experts chosen to kill the grizzly rope Joe into their expedition, but since their quarry keeps turning up far from the last sighting, the most meaningful confrontation the Predator Attack Team has is with a pair of Mama Bears, animal rights activists who demand due process for Tisiphone, as they’ve dubbed the presumed killer. Box, who’s far too canny to leave Tisiphone alone on center stage, follows Joe’s old antagonist Dallas Cates as the ex–rodeo star is released from prison and embarks on his revenge tour, which takes him to Lee Ogburn-Russell, an inventor whose life Dallas saved, and Axel Soledad, a correspondent who shares so many enemies with Dallas that he suggests they go after them together. Franchise fans will appreciate new details about Joe’s complicated family, the obligatory high-country landscapes, and yet another corrupt law enforcer.
A tale that’s hard to believe but easy to swallow in a single gulp.Pub Date: Feb. 27, 2024
ISBN: 9780593331347
Page Count: 384
Publisher: Putnam
Review Posted Online: Jan. 5, 2024
Kirkus Reviews Issue: Feb. 1, 2024
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by Richard Wright ‧ RELEASE DATE: April 20, 2021
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
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A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
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