by J.K. DeRosa ‧ RELEASE DATE: Dec. 14, 2018
An engaging tale of one couple’s determination to get out from behind the Iron Curtain.
DeRosa’s debut biography tells of an extraordinary woman who left her beloved family and country for the right to live free.
In 1965, Vera Caslavsky and her husband, Jarda, devised a plan to escape from Soviet-dominated Czechoslovakia. They received permission from the local Communist Party in Prague to vacation in Yugoslavia with their 8-year-old daughter, Veronika. But after their subsequent attempts to secretly travel to Italy or Austria failed, they went “back to [their] lives as ‘loyal citizens of the Czech Socialist Republic.’ ” It would be another year before the married couple finally escaped to America—but they were forced to leave Veronika behind with her grandmother. Born in 1934 in democratic Czechoslovakia, Caslavsky was raised in the “enchanting and historical town” of Chrudim, surrounded by “loving grandparents…a father who read [her] stories at night and…a mother who lamented [her] birth.” Her grammar school days were spent under Nazi occupation, and she spent her high school years under Soviet rule. In 1952, after graduation, she married Jarda, majored in chemistry at Prague’s Charles University and obtained her master’s degree. Jarda was denied further study, though, because of his past anti-Communist rhetoric, and he convinced his wife that escape was necessary as “he was still a marked man.” DeRosa draws on Caslavsky’s monograph, as well as hours of interviews with Caslavsky, in this first-person account, which “fill[s] in…memory gaps” with additional content to provide an “ ‘almost true’ story.” As a result, it does often feel as if Caslavsky is providing this recollection herself. DeRosa’s prose poignantly conveys the emotional aspects of the story, as when the couple is about to begin their journey that will eventually lead them to America: “Grandma was startled. Why are you all crying?” With a sudden sense of realization, she exclaimed, “For God’s sake, children! You’re not coming back, are you?” A brief history of Caslavsky’s grandparents, who “considered themselves to be part of the long tradition of a free and cultured people,” effectively establishes her profound connection to her family, country, and quest for freedom.
An engaging tale of one couple’s determination to get out from behind the Iron Curtain.Pub Date: Dec. 14, 2018
ISBN: 978-1-73298-490-5
Page Count: 226
Publisher: Chatham House
Review Posted Online: April 4, 2019
Review Program: Kirkus Indie
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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