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HALF CRAZY

A shallow look at cookie-cutter urban angst, New York style. McDonell's debut imparts the tale of a curiously charged and eternally committed friendship between a struggling gay writer (who soaks up everyone from Eliot to Yeats but spends his days churning out pulp romances) and an innocent (although not altogether naive) young fashion model just arrived in Gotham from Arkansas and destined to become the next big thing. David has time on his hands, since his most recent lover, a handsome actor, has just hit the jackpot with a prime-time TV show and succumbed to the producer's demand that he stay away from men and be seen with women. The words of the producer are typical of McDonell's reliance on clichÇs: ``If I hear you've taken a ride down the Hershey highway, your ass is grass...I want to see your picture in the paper with broads.'' So when Miranda comes to make her home in the basement of David's slimy Hell's Kitchen apartment building, David, taken by her fragile beauty and charm, becomes protective father, reliable confidant, experienced mentor, and ever-present escort. He holds her hand during periods of depression, suggests books to read so she can be more than just a pretty face, and cautions her about the social elite who merely want to use her: the famous actor who likes to wear her on his arm; the sardonic writer who wants to exploit her lurid lower-class upbringing; the socialite who enjoys having the flavor of the month at her dinner parties. David chaperones her from Jamaica to East Hampton, but in the end, even he can't prevent the vicious slashing of Miranda's face or her subsequent victimization by the sensationalist press. If this all sounds familiar, it is. The dedication page reads: ``for Marla.'' Full of stock characters and predictable plot twists.

Pub Date: March 6, 1995

ISBN: 0-316-55560-6

Page Count: 272

Publisher: Little, Brown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 1995

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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