Profound it ain’t, but immensely readable and very charming in its own messy, undisciplined way.
Four generations of strong-minded women battle each other, their individual insecurities and life’s many ups and downs in this overstuffed latest from Mapson (Goodbye, Earl, 2004, etc.).
The author gives her characters plenty of obstacles to overcome before the mostly happy ending. When we meet Mariah Moon, inching along in traffic on California’s Highway One, she’s just lost her job as assistant sociology professor at a local college. How will she pay for that fancy school attended by her brilliant 12-year-old daughter Lindsay? Waitressing at the Owl & Moon, her family’s Pacific Grove restaurant, is the short-term solution, but it means dealing with her cranky, ultra-religious grandmother, Gammy, and her maddening mother, Allegra. Mariah is mortified by Allegra still dressing and acting like a hippie chick at nearly 50, and she’s never forgiven her mother for refusing to identify the man who begot her 34 years ago. (Mariah at least told Lindsay the name of her absent father, even if the girl’s never met him.) Not to worry: When Allegra has a fainting spell that sends her to the hospital, the doctor who hands her a diagnosis of leukemia is none other than Alvin Goodnough, the Vietnam vet en route to med school with whom she shared a sleeping bag back in the Summer of Love. Will they finally get together for keeps? Can Mariah get over her eternal adolescent snit with the help of a handsome Scottish customer at the café? Will Lindsay’s science project win her a scholarship, or land her in jail? Mapson’s plotting is as over-the-top as it was in the Bad Girl Creek trilogy—Phoebe DeThomas’s daughter Sally turns up from that series to befriend Lindsay—and the twists are often blindingly obvious, poorly motivated, or both. What saves the story is the characters: broadly drawn, but utterly human, full of querulous life and irritatingly believable. The author loves the people she creates and draws in readers to share her affection.
Profound it ain’t, but immensely readable and very charming in its own messy, undisciplined way.Pub Date: July 4, 2006
ISBN: 0-7432-6641-2
Page Count: 368
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2006
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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