With pleasant but meandering writing and little urgency, this one’s best for character-oriented readers.
Her 14th summer teaches Rachel the meaning of the word bittersweet.
All her life she and her parents and her little sister, Ivy, who’s 8, have lived in an old farmhouse they’ve named Bittersweet Farm, for the vines on the property that her mother makes into wreaths. It’s not a working farm, but they have a big garden and an elderly rescue pony. Rachel’s mother has lost her job as a school librarian, so money is tight, but Rachel is chiefly concerned with her relationship with her best friend, Micah, who would love to be her boyfriend if Rachel allowed. Rachel isn’t sure of her sexuality, and she is anxious around schoolmates who are richer and more self-assured. She spends the summer at the nearby beach and caring for the animals on a rich neighbor’s hobby farm. Then their family loses their home to foreclosure. Told in Rachel’s authentically 13-year-old first-person voice, the story suffers from uneven pacing. At first readers are led to think that Rachel’s relationships and sexuality will be the story’s main focus. Whole chapters are spent describing the neighbor’s farm, which turns out to be unimportant to the plot, and the foreclosure, which turns out to be the primary plot point, isn’t mentioned until two-thirds of the way through the book. The economic stressors this default-white family faces are well-presented.
With pleasant but meandering writing and little urgency, this one’s best for character-oriented readers. (Fiction. 8-12)Pub Date: April 2, 2019
ISBN: 978-1-5362-0003-4
Page Count: 304
Publisher: Candlewick
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
Charming, poignant, and thoughtfully woven.
An aspiring scientist and a budding artist become friends and help each other with dream projects.
Unfolding in mid-1980s Sacramento, California, this story stars 12-year-olds Rosalind and Benjamin as first-person narrators in alternating chapters. Ro’s father, a fellow space buff, was killed by a drunk driver; the rocket they were working on together lies unfinished in her closet. As for Benji, not only has his best friend, Amir, moved away, but the comic book holding the clue for locating his dad is also missing. Along with their profound personal losses, the protagonists share a fixation with the universe’s intriguing potential: Ro decides to complete the rocket and hopes to launch mementos of her father into outer space while Benji’s conviction that aliens and UFOs are real compels his imagination and creativity as an artist. An accident in science class triggers a chain of events forcing Benji and Ro, who is new to the school, to interact and unintentionally learn each other’s secrets. They resolve to find Benji’s dad—a famous comic-book artist—and partner to finish Ro’s rocket for the science fair. Together, they overcome technical, scheduling, and geographical challenges. Readers will be drawn in by amusing and fantastical elements in the comic book theme, high emotional stakes that arouse sympathy, and well-drawn character development as the protagonists navigate life lessons around grief, patience, self-advocacy, and standing up for others. Ro is biracial (Chinese/White); Benji is White.
Charming, poignant, and thoughtfully woven. (Fiction. 9-12)Pub Date: Jan. 12, 2021
ISBN: 978-0-06-300888-5
Page Count: 304
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: Oct. 26, 2020
Kirkus Reviews Issue: Nov. 15, 2020
BOOK REVIEW
A deftly told story that dramatizes how Danes appointed themselves bodyguards—not only for their king, who was in the habit...
The author of the Anastasia books as well as more serious fiction (Rabble Starkey, 1987) offers her first historical fiction—a story about the escape of the Jews from Denmark in 1943.
Five years younger than Lisa in Carol Matas' Lisa's War (1989), Annemarie Johansen has, at 10, known three years of Nazi occupation. Though ever cautious and fearful of the ubiquitous soldiers, she is largely unaware of the extent of the danger around her; the Resistance kept even its participants safer by telling them as little as possible, and Annemarie has never been told that her older sister Lise died in its service. When the Germans plan to round up the Jews, the Johansens take in Annemarie's friend, Ellen Rosen, and pretend she is their daughter; later, they travel to Uncle Hendrik's house on the coast, where the Rosens and other Jews are transported by fishing boat to Sweden. Apart from Lise's offstage death, there is little violence here; like Annemarie, the reader is protected from the full implications of events—but will be caught up in the suspense and menace of several encounters with soldiers and in Annemarie's courageous run as courier on the night of the escape. The book concludes with the Jews' return, after the war, to homes well kept for them by their neighbors.
A deftly told story that dramatizes how Danes appointed themselves bodyguards—not only for their king, who was in the habit of riding alone in Copenhagen, but for their Jews. (Historical fiction. 9-12)Pub Date: April 1, 1989
ISBN: 0547577095
Page Count: 156
Publisher: Houghton Mifflin
Review Posted Online: Oct. 17, 2011
Kirkus Reviews Issue: March 15, 1989
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