An effective survey of art that speaks truth to power.

RISE UP!

THE ART OF PROTEST

Published in collaboration with Amnesty International, this book combines protest art spanning two centuries with a strong message of encouragement to young activists all over the world.

In her foreword, Mari Copeny, who drew President Barack Obama’s attention to the Flint water crisis in 2014, exhorts young people to “speak up for ourselves because it’s our present, and our future, that are at stake.” Each chapter deals with a specific issue, including women’s rights, racial justice, peace, youth rights, LGBTQ rights, and environmental issues. A short essay introduces each topic, prefaced by inspirational statements from key activists and politicians, including Gloria Steinem, Nelson Mandela, Ban Ki-moon, and Jane Goodall. The accompanying posters are the main event, most selections covering several decades. Each artwork is accompanied by a detailed caption explaining its significance and the historical situation that inspired it. The statement from David Hogg, a survivor of the Marjory Stoneman Douglas High School shooting in 2018, sums up the core message of the book. “If you don’t make your voices heard in the real world, nothing will change.” From the fight for women’s suffrage to Black Lives Matter, this book will be a useful tool for students exploring the story of activism.

An effective survey of art that speaks truth to power. (Nonfiction. 10-14)

Pub Date: March 3, 2020

ISBN: 978-1-62354-150-7

Page Count: 64

Publisher: Charlesbridge

Review Posted Online: Dec. 18, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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Ultimately adds little to conversations about race.

UNCOMFORTABLE CONVERSATIONS WITH A BLACK BOY

A popular YouTube series on race, “Uncomfortable Conversations With a Black Man,” turns how-to manual and history lesson for young readers.

Acho is a former NFL player and second-generation Nigerian American who cites his upbringing in predominantly White spaces as well as his tenure on largely Black football teams as qualifications for facilitating the titular conversations about anti-Black racism. The broad range of subjects covered here includes implicit bias, cultural appropriation, and systemic racism. Each chapter features brief overviews of American history, personal anecdotes of Acho’s struggles with his own anti-Black biases, and sections titled “Let’s Get Uncomfortable.” The book’s centering of Whiteness and White readers seems to show up, to the detriment of its subject matter, both in Acho’s accounts of his upbringing and his thought processes regarding race. The overall tone unfortunately conveys a sense of expecting little from a younger generation who may have a greater awareness than he did at the same age and who, therefore, may already be uncomfortable with racial injustice itself. The attempt at an avuncular tone disappointingly reads as condescending, revealing that, despite his online success with adults, the author is ill-equipped to be writing for middle-grade readers. Chapters dedicated to explaining to White readers why they shouldn’t use the N-word and how valuable White allyship is may make readers of color (and many White readers) bristle with indignation and discomfort despite Acho’s positive intentions.

Ultimately adds little to conversations about race. (glossary, FAQ, recommended reading, references) (Nonfiction. 10-14)

Pub Date: May 4, 2021

ISBN: 978-1-250-80106-7

Page Count: 320

Publisher: Roaring Brook

Review Posted Online: May 11, 2021

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A rich and deeply felt slice of life.

JUST PRETEND

Crafting fantasy worlds offers a budding middle school author relief and distraction from the real one in this graphic memoir debut.

Everyone in Tori’s life shows realistic mixes of vulnerability and self-knowledge while, equally realistically, seeming to be making it up as they go. At least, as she shuttles between angrily divorced parents—dad becoming steadily harder to reach, overstressed mom spectacularly incapable of reading her offspring—or drifts through one wearingly dull class after another, she has both vivacious bestie Taylor Lee and, promisingly, new classmate Nick as well as the (all-girl) heroic fantasy, complete with portals, crystal amulets, and evil enchantments, taking shape in her mind and on paper. The flow of school projects, sleepovers, heart-to-heart conversations with Taylor, and like incidents (including a scene involving Tori’s older brother, who is having a rough adolescence, that could be seen as domestic violence) turns to a tide of change as eighth grade winds down and brings unwelcome revelations about friends. At least the story remains as solace and, at the close, a sense that there are still chapters to come in both worlds. Working in a simple, expressive cartoon style reminiscent of Raina Telgemeier’s, Sharp captures facial and body language with easy naturalism. Most people in the spacious, tidily arranged panels are White; Taylor appears East Asian, and there is diversity in background characters.

A rich and deeply felt slice of life. (afterword, design notes) (Graphic memoir. 10-13)

Pub Date: May 18, 2021

ISBN: 978-0-316-53889-3

Page Count: 320

Publisher: Little, Brown

Review Posted Online: March 31, 2021

Kirkus Reviews Issue: April 15, 2021

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