Dickens would enjoy this book, and so will Aiken fans who have been waiting for a full-scale 19th century novel ever since The Wolves of Willoughby Chase and its successors. Here Joan Aiken follows all the conventions of Dickensian fiction with just a little extra to satisfy jaded contemporary tastes. The Grimsby mansion at Midnight Court houses not one, but two unjustly disinherited orphans, Lucas Bell and the French-speaking Anna-Marie (she a daughter of Midnight Court's talented, but improvident former owner, Sir Denzil Murgatroyd who "while still at college. . . constructed a scientific instrument for measuring the depth of potholes"). And the source of Grimsby's fortune, the Midnight Mill boasts, in addition to the usual horrors of child labor and workers' oppression, a peculiarly nasty feature known as the pressing room, where a giant press sticks wool to inferior grade carpets and occasionally crushes children too slow to get out of its way. Of course, after Midnight Court and the churlish Sir Randolph Grimsby go up in flames one night, Anna-Marie is reduced to working in the mill where she clashes with the extortion ring leader Bludward (who gets around in a steam driven wheelchair). Lucas is forced to muck about in the Blastburn sewers scavenging for valuables. The kindly tutor Mr. Oakapple (who has a mysterious history and two fingers missing from his violin-playing hand) is incapacitated in the town infirmary. Lady Murgatroyd is discovered living incognito in the icehouse where she has been overlooked by everyone for the past ten years. And Grimsby's henchmen are on the loose hoping to line their own pockets. Lucas and Anna-Marie are two innocents in a world grotesquely distorted by greed, and while the evil get their comeuppance, the riches the children were due to inherit have already been squandered by Grimsby and his ilk. It must be admitted that Ms. Aiken's staging of the human comedy ("this great dark town". . . "a m-moocky old place but he loved it") owes a lot to her literary predecessors and, perhaps, more to the modern reader's need to approach innocence with tongue in cheek. But it works beautifully on more than one level, and Midnight Court earns its place in the landscape of humorous fiction.
Pub Date: April 22, 1974
ISBN: 0618196250
Page Count: 307
Publisher: Viking
Review Posted Online: April 12, 2012
Kirkus Reviews Issue: April 1, 1974
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A solid series starter for tinkerers and adventurers alike.
Even robot cats have a mind of their own.
All 12-year-old Canadian Lacey Chu’s ever wanted was to become a companioneer like her idol, Monica Chan, co-founder of the largest tech firm in North America, Moncha Corp., and mastermind behind the baku. Bakus, “robotic pets with all the features of a smartphone,” revolutionized society and how people interact with technology. As a companioneer, Lacey could work on bakus: designing, innovating, and building. When she receives a grant rejection from Profectus Academy of Science and Technology, a school that guarantees employment at Moncha Corp., she’s devastated. A happenstance salvaging of a mangled cat baku might just change the game. Suddenly, Lacey’s got an in with Profectus and is one step closer to her dream. Jinx, however, is not quite like the other bakus—he’s a wild cat that does things without commands. Together with Jinx, Lacey will have to navigate competitive classmates and unsettling corporate secrets. McCulloch effectively strikes a balance between worldbuilding and action. High-stakes baku battles demonstrate the emotional bond between (robotic) pet and owner. Readers will also connect to the relationships the Asian girl forges with her diverse classmates, including a rivalry with Carter (a white boy who’s the son of Moncha’s other co-founder, Eric Smith), a burgeoning crush on student Tobias, who’s black, and evolving friendships new and old. While some mysteries are solved, a cliffhanger ending raises even more for the next installment.
A solid series starter for tinkerers and adventurers alike. (Science fiction. 8-13)Pub Date: Jan. 1, 2020
ISBN: 978-1-4926-8374-2
Page Count: 336
Publisher: Sourcebooks
Review Posted Online: Aug. 25, 2019
Kirkus Reviews Issue: Oct. 1, 2019
We challenge anyone to read this and keep a straight face.
Four misunderstood villains endeavor to turn over a new leaf…or a new rap sheet in Blabey's frenzied romp.
As readers open the first page of this early chapter book, Mr. Wolf is right there to greet them, bemoaning his reputation. "Just because I've got BIG POINTY TEETH and RAZOR-SHARP CLAWS and I occasionally like to dress up like an OLD LADY, that doesn't mean… / … I'm a BAD GUY." To prove this very fact, Mr. Wolf enlists three equally slandered friends into the Good Guys Club: Mr. Snake (aka the Chicken Swallower), Mr. Piranha (aka the Butt Biter), and Mr. Shark (aka Jaws). After some convincing from Mr. Wolf, the foursome sets off determined to un-smirch their names (and reluctantly curbing their appetites). Although these predators find that not everyone is ready to be at the receiving end of their helpful efforts, they use all their Bad Guy know-how to manage a few hilarious good deeds. Blabey has hit the proverbial nail on the head, kissed it full on the mouth, and handed it a stick of Acme dynamite. With illustrations that startle in their manic comedy and deadpan direct address and with a narrative that follows four endearingly sardonic characters trying to push past (sometimes successfully) their fear-causing natures, this book instantly joins the classic ranks of Captain Underpants and The Stinky Cheese Man.
We challenge anyone to read this and keep a straight face. (Fiction. 7-11)Pub Date: Jan. 3, 2017
ISBN: 978-0-545-91240-2
Page Count: 144
Publisher: Scholastic
Review Posted Online: Sept. 18, 2016
Kirkus Reviews Issue: Oct. 1, 2016
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