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THE WEEPING ASH

A sort of sequel to The Smile of the Stranger, but twice as long and about half as delightful; Aiken attempts a big, double-barreled saga here—absolutely the wrong format for her tart, airy storytelling style. In 1797, 16-year-old Fanny is married off to 48-year-old press-ganger Thomas Paget, an unspeakable brute who drags her with his three lumpy daughters to a country house (on loan from Thomas' cousin Juliana, star of Smile of the Stranger). . . and he proceeds to make her life totally miserable—loveless sex and cruel repression. And after Fanny bears the son that Thomas wants so much, he responds to her few attempts at freedom (chatting with kindly neighbor Lord Egremont and his lovable mistress) by forcing her to wear a straitjacket/chastity-belt. Will Fanny ever get free and get together with gentle, virile gardener Andrew? Will Thomas' evil past (he was responsible for the deaths of his first wife and his half-brother) catch up with him? These are perfectly fine questions, but they're answered, alas, very slowly. Why? Because Aiken alternates Fanny's chapters with the adventures of Thomas' illegitimate India-born cousin Scylla (beauteous palace governess for a Maharajah) and her brother Carloman (a dark poet): when the Maharajah's son stages a bloody coup, Scylla and Carloman rescue the Maharajah's youngest baby and escape, trekking their way towards England to take their rightful Paget family place. Not only is this mountain trek romantic adventure of the most routine sort (harems, beys, rape, escape, a crusty American guide who may be in love with Scylla); it also hurts Fanny's strong but small-scale story—interrupting it, stretching it out, weighing it down with pseudo-seriousness (Carloman and Fanny are linked by the cosmic image of the weeping ash). And when Carloman and Scylla finally do arrive at Fanny's unhappy house, Aiken must lay on too much implausible last-act melodrama (Thomas, Carloman, and Fanny's baby will all die) to clear the way for a neat, happy, two-couple ending. Often very entertaining, then—but the cheery, even slightly goofy Aiken brushwork (her 18th-century patois gets dippier all the time) is not at its best on such a big, busy canvas.

Pub Date: May 9, 1980

ISBN: 0446906816

Page Count: 576

Publisher: Doubleday

Review Posted Online: April 12, 2012

Kirkus Reviews Issue: May 1, 1980

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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LOVE AND OTHER WORDS

With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.

Eleven years ago, he broke her heart. But he doesn’t know why she never forgave him.

Toggling between past and present, two love stories unfold simultaneously. In the first, Macy Sorensen meets and falls in love with the boy next door, Elliot Petropoulos, in the closet of her dad’s vacation home, where they hide out to discuss their favorite books. In the second, Macy is working as a doctor and engaged to a single father, and she hasn’t spoken to Elliot since their breakup. But a chance encounter forces her to confront the truth: what happened to make Macy stop speaking to Elliot? Ultimately, they’re separated not by time or physical remoteness but by emotional distance—Elliot and Macy always kept their relationship casual because they went to different schools. And as a teen, Macy has more to worry about than which girl Elliot is taking to the prom. After losing her mother at a young age, Macy is navigating her teenage years without a female role model, relying on the time-stamped notes her mother left in her father’s care for guidance. In the present day, Macy’s father is dead as well. She throws herself into her work and rarely comes up for air, not even to plan her upcoming wedding. Since Macy is still living with her fiance while grappling with her feelings for Elliot, the flashbacks offer steamy moments, tender revelations, and sweetly awkward confessions while Macy makes peace with her past and decides her future.

With frank language and patient plotting, this gangly teen crush grows into a confident adult love affair.

Pub Date: April 10, 2018

ISBN: 978-1-5011-2801-1

Page Count: 416

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Jan. 22, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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