None
Not unexpectedly, and with customary flair, Didion ignores the traditional features of Miami, looks briefly at tense race relations, white flight, and a saturated real-estate market, and concentrates on a kind of second city, the community of Cuban exiles who have prospered even as they pursue la lucha, the straggle. This is, of course, the kind of scene she favors: political intrigue and moral issues dominate conversations, and young girls celebrate their birthdays dressed in tiaras and fur-trimmed capes. Although her focus is idiosyncratically selective and at times her flinty, mannered style nearly parodies itself ("Hot dogs were passed, and Coca-cola spilled"), overall she is in control of this consistently engrossing material. In the 60's, Cuban refugees took the unskilled jobs that might have been offered to blacks. Many also worked (without formal government acknowledgement) for the CIA, fueled by a series of apparently intentional deceptions about policy. Exile was—is—"the organizing principle" of their lives, and the men of the 2506 Brigade (the unsupported invasion force) remain grand heroes. "I would say that John F. Kennedy is still the number two most hated man in Miami," a failed mayoral candidate volunteers, and Didion emphasizes reports linking exiles to the assassination (and reminds of Cuban involvement in Watergate and the Iran/contra tangles). Nowadays many of these men are wealthy and powerful, highly visible within the exile community, often unknown to non-Cuban citizens. Much of this information comes from conventional sources: the Herald, passionate loyalists, a university study. But this Miami is no "rich and wicked pastel boomtown," as the semi-official image would have it. Didion presents a more complex and genuinely dramatic situation, inflecting her work with astute observations about the city's unique political circumstances and lingering on the kinds of details that have colored her other writings: a hotel offering "guerrilla discounts," a gun shop advertising Father's Day specials, house blessed with "Unusual Security and Ready Access to the Ocean." Another persistently stylish report that, with its JFK references and drug-runner allusions, has even more outreach than usual.
None NonePub Date: Oct. 9, 1987
ISBN: 0679781803
Page Count: 238
Publisher: Simon & Schuster
Review Posted Online: Oct. 10, 2011
Kirkus Reviews Issue: Sept. 15, 1987
PERSPECTIVES
Harari delivers yet another tour de force.
A highly instructive exploration of “current affairs and…the immediate future of human societies.”
Having produced an international bestseller about human origins (Sapiens, 2015, etc.) and avoided the sophomore jinx writing about our destiny (Homo Deus, 2017), Harari (History/Hebrew Univ. of Jerusalem) proves that he has not lost his touch, casting a brilliantly insightful eye on today’s myriad crises, from Trump to terrorism, Brexit to big data. As the author emphasizes, “humans think in stories rather than in facts, numbers, or equations, and the simpler the story, the better. Every person, group, and nation has its own tales and myths.” Three grand stories once predicted the future. World War II eliminated the fascist story but stimulated communism for a few decades until its collapse. The liberal story—think democracy, free markets, and globalism—reigned supreme for a decade until the 20th-century nasties—dictators, populists, and nationalists—came back in style. They promote jingoism over international cooperation, vilify the opposition, demonize immigrants and rival nations, and then win elections. “A bit like the Soviet elites in the 1980s,” writes Harari, “liberals don’t understand how history deviates from its preordained course, and they lack an alternative prism through which to interpret reality.” The author certainly understands, and in 21 painfully astute essays, he delivers his take on where our increasingly “post-truth” world is headed. Human ingenuity, which enables us to control the outside world, may soon re-engineer our insides, extend life, and guide our thoughts. Science-fiction movies get the future wrong, if only because they have happy endings. Most readers will find Harari’s narrative deliciously reasonable, including his explanation of the stories (not actually true but rational) of those who elect dictators, populists, and nationalists. His remedies for wildly disruptive technology (biotech, infotech) and its consequences (climate change, mass unemployment) ring true, provided nations act with more good sense than they have shown throughout history.
Harari delivers yet another tour de force.Pub Date: Sept. 4, 2018
ISBN: 978-0-525-51217-2
Page Count: 400
Publisher: Spiegel & Grau
Review Posted Online: June 26, 2018
Kirkus Reviews Issue: July 15, 2018
If that promise of clarity is what awaits us all, then death doesn’t seem so awful, and that is a great gift from Sacks. A...
Valediction from the late neurologist and writer Sacks (On the Move: A Life, 2015, etc.).
In this set of four short essays, much-forwarded opinion pieces from the New York Times, the author ponders illness, specifically the metastatic cancer that spread from eye to liver and in doing so foreclosed any possibility of treatment. His brief reflections on that unfortunate development give way to, yes, gratitude as he examines the good things that he has experienced over what, in the end, turned out to be a rather long life after all, lasting 82 years. To be sure, Sacks has regrets about leaving the world, not least of them not being around to see “a thousand…breakthroughs in the physical and biological sciences,” as well as the night sky sprinkled with stars and the yellow legal pads on which he worked sprinkled with words. Sacks works a few familiar tropes and elaborates others. Charmingly, he reflects on his habit since childhood of associating each year of his life with the element of corresponding atomic weight on the periodic table; given polonium’s “intense, murderous radioactivity,” then perhaps 84 isn’t all that it’s cut out to be. There are some glaring repetitions here, unfortunate given the intense brevity of this book, such as his twice citing Nathaniel Hawthorne’s call to revel in “intercourse with the world”—no, not that kind. Yet his thoughts overall—while not as soul-stirringly inspirational as the similar reflections of Randy Pausch or as bent on chasing down the story as Christopher Hitchens’ last book—are shaped into an austere beauty, as when Sacks writes of being able in his final moments to “see my life as from a great altitude, as a sort of landscape, and with a deepening sense of the connection of all its parts.”
If that promise of clarity is what awaits us all, then death doesn’t seem so awful, and that is a great gift from Sacks. A fitting, lovely farewell.Pub Date: Nov. 24, 2015
ISBN: 978-0-451-49293-7
Page Count: 64
Publisher: Knopf
Review Posted Online: Oct. 31, 2015
Kirkus Reviews Issue: Nov. 15, 2015
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