Cuccio makes a laudable effort on her first outing to embrace armfuls of life and get them onto the page, but her indisputable moments of brilliance are often dimmed by overwriting and conventional dramatics. Darcy Johnston, a Texas farm girl and dropout, believes that ``Love is born crooked, it is . . . not planar at all but something quite out of phase with the solemn procession of everyday life.'' So it is that the story Darcy tells is nothing like a straight line. On the third page, she alludes mysteriously to the cruel yet much-loved ``you'' whom she's finally broken up with—and also forbodingly to ``the pistol''— then embarks on an often rather pleasant journey back and forth from adulthood to early childhood, early childhood to mid-adolescence, mid-adolescence to—and so on. Gradually we learn that her father has died (though only much later how and of what), and gradually that her dourly cruel mother, after her husband's death, opened the family's old farmhouse to boarders (and herself to them, too, becoming ostracized in the disapproving community). One of these boarders is the fierce and rattlesnake-mean ``you'' whom Darcy becomes entangled with, marries, and suffers under for so long that all you want to do is grab her shoulders and shake some sense into her. But it'll be a long slow time before she makes a move, with much that's admittedly beautiful along the way (``The world is quiet but for the sound of the tractor in the field. The breeze comes in from the window cool and blue''), but also much that's over-similed or maundering (``Let's see how far we can take this. Could we, for instance . . .'') in the approach to an ending that, well, ought to have been avoidable altogether but that will without question raise you from your seat. Debut work that's often muddled but that at its best can be superb.
Pub Date: April 1, 1997
ISBN: 1-877946-82-6
Page Count: 172
Publisher: Permanent Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1997
Finding positivity in negative pregnancy-test results, this depiction of a marriage in crisis is nearly perfect.
Named for an imperfectly worded fortune cookie, Hoover's (It Ends with Us, 2016, etc.) latest compares a woman’s relationship with her husband before and after she finds out she’s infertile.
Quinn meets her future husband, Graham, in front of her soon-to-be-ex-fiance’s apartment, where Graham is about to confront him for having an affair with his girlfriend. A few years later, they are happily married but struggling to conceive. The “then and now” format—with alternating chapters moving back and forth in time—allows a hopeful romance to blossom within a dark but relatable dilemma. Back then, Quinn’s bad breakup leads her to the love of her life. In the now, she’s exhausted a laundry list of fertility options, from IVF treatments to adoption, and the silver lining is harder to find. Quinn’s bad relationship with her wealthy mother also prevents her from asking for more money to throw at the problem. But just when Quinn’s narrative starts to sound like she’s writing a long Facebook rant about her struggles, she reveals the larger issue: Ever since she and Graham have been trying to have a baby, intimacy has become a chore, and she doesn’t know how to tell him. Instead, she hopes the contents of a mystery box she’s kept since their wedding day will help her decide their fate. With a few well-timed silences, Hoover turns the fairly common problem of infertility into the more universal problem of poor communication. Graham and Quinn may or may not become parents, but if they don’t talk about their feelings, they won’t remain a couple, either.
Finding positivity in negative pregnancy-test results, this depiction of a marriage in crisis is nearly perfect.Pub Date: July 17, 2018
ISBN: 978-1-5011-7159-8
Page Count: 320
Publisher: Atria
Review Posted Online: April 30, 2018
Kirkus Reviews Issue: May 15, 2018
Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable...
Sydney and Ridge make beautiful music together in a love triangle written by Hoover (Losing Hope, 2013, etc.), with a link to a digital soundtrack by American Idol contestant Griffin Peterson.
Hoover is a master at writing scenes from dual perspectives. While music student Sydney is watching her neighbor Ridge play guitar on his balcony across the courtyard, Ridge is watching Sydney’s boyfriend, Hunter, secretly make out with her best friend on her balcony. The two begin a songwriting partnership that grows into something more once Sydney dumps Hunter and decides to crash with Ridge and his two roommates while she gets back on her feet. She finds out after the fact that Ridge already has a long-distance girlfriend, Maggie—and that he's deaf. Ridge’s deafness doesn’t impede their relationship or their music. In fact, it creates opportunities for sexy nonverbal communication and witty text messages: Ridge tenderly washes off a message he wrote on Sydney’s hand in ink, and when Sydney adds a few too many e’s to the word “squee” in her text, Ridge replies, “If those letters really make up a sound, I am so, so glad I can’t hear it.” While they fight their mutual attraction, their hope that “maybe someday” they can be together playfully comes out in their music. Peterson’s eight original songs flesh out Sydney’s lyrics with a good mix of moody musical styles: “Living a Lie” has the drama of a Coldplay piano ballad, while the chorus of “Maybe Someday” marches to the rhythm of the Lumineers. But Ridge’s lingering feelings for Maggie cause heartache for all three of them. Independent Maggie never complains about Ridge’s friendship with Sydney, and it's hard to even want Ridge to leave Maggie when she reveals her devastating secret. But Ridge can’t hide his feelings for Sydney long—and they face their dilemma with refreshing emotional honesty.
Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable characters and just the right amount of sexual tension.Pub Date: March 18, 2014
ISBN: 978-1-4767-5316-4
Page Count: 384
Publisher: Atria
Review Posted Online: May 6, 2014
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