by Joan Horton & illustrated by Drazen Kozjan ‧ RELEASE DATE: July 17, 2012
Sure to be a hit at Halloween, Mother’s Day, during a discussion about puns and when the popular question arises, “So what...
In this ode to hardworking mummy mothers, an impressive collection of careers is introduced with deliciously icky details sure to elicit appreciative “eww’s.”
With a palette dominated by saturated purples, greens, oranges and reds, a detailed, fantastical monster city comes to life. Alongside dragons, ghosts and one-eyed monsters, female mummies contribute their various talents to serve their bustling community. Readers meet a diverse cast, including a brave manicurist who specializes in sharpening claws, a doctor who prescribes “coffin syrup” to cure raspy moans, a waitress who serves frightening bowls of “Scream of Wheat,” a realtor who sells haunted dwellings and a dentist who expertly files vampires’ fangs. Each mummy expertly tackles the challenges of her profession whether it be working the graveyard shift or taming a classroom of rambunctious goblins. But in the end, “no matter where the mummies work— / In diners, stores, or schools— / They can’t unwind until they’re home… // To hug their boys and ghouls.” Kozjan obviously had fun creating the full-bleed spreads that successfully extend the humor in Horton’s well-paced, rhyming text. Readers will not mind the message delivered amid the amusing wordplay and clever, elaborate illustrations.
Sure to be a hit at Halloween, Mother’s Day, during a discussion about puns and when the popular question arises, “So what do you want to be when you grow up?” (Picture book. 4-7)Pub Date: July 17, 2012
ISBN: 978-0-374-38524-8
Page Count: 32
Publisher: Farrar, Straus and Giroux
Review Posted Online: July 17, 2012
Kirkus Reviews Issue: Aug. 1, 2012
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by Sherman Alexie ; illustrated by Yuyi Morales ‧ RELEASE DATE: May 10, 2016
An expertly crafted, soulful, and humorous work that tenderly explores identity, culture, and the bond between father and...
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Thunder Boy Smith Jr. hates his name.
The Native American boy is named after his father, whose nickname is Big Thunder. Thunder Boy Jr. says his nickname, Little Thunder, makes him "sound like a burp or a fart." Little Thunder loves his dad, but he longs for a name that celebrates something special about him alone. He muses, “I love playing in the dirt, so maybe my name should be Mud in His Ears.…I love powwow dancing. I’m a grass dancer. So maybe my name should be Drums, Drums, and More Drums!” Little Thunder wonders how he can express these feelings to his towering father. However, he need not worry. Big Thunder knows that the time has come for his son to receive a new name, one as vibrant as his blossoming personality. Morales’ animated mixed-media illustrations, reminiscent of her Pura Belpré Award–winning work in Niño Wrestles the World (2013), masterfully use color and perspective to help readers see the world from Little Thunder’s point of view. His admiration of his dad is manifest in depictions of Big Thunder as a gentle giant of a man. The otherwise-muted palette bursts with color as Thunder Boy Jr. proudly enumerates the unique qualities and experiences that could inspire his new name.
An expertly crafted, soulful, and humorous work that tenderly explores identity, culture, and the bond between father and son. (Picture book. 4-7)Pub Date: May 10, 2016
ISBN: 978-0-316-01372-7
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 15, 2016
Kirkus Reviews Issue: April 1, 2016
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by Sherman Alexie & illustrated by Ellen Forney
by David Wiesner ; illustrated by David Wiesner ‧ RELEASE DATE: Sept. 1, 2020
A retro-futuristic romp, literally and figuratively screwy.
Robo-parents Diode and Lugnut present daughter Cathode with a new little brother—who requires, unfortunately, some assembly.
Arriving in pieces from some mechanistic version of Ikea, little Flange turns out to be a cute but complicated tyke who immediately falls apart…and then rockets uncontrollably about the room after an overconfident uncle tinkers with his basic design. As a squad of helpline techies and bevies of neighbors bearing sludge cake and like treats roll in, the cluttered and increasingly crowded scene deteriorates into madcap chaos—until at last Cath, with help from Roomba-like robodog Sprocket, stages an intervention by whisking the hapless new arrival off to a backyard workshop for a proper assembly and software update. “You’re such a good big sister!” warbles her frazzled mom. Wiesner’s robots display his characteristic clean lines and even hues but endearingly look like vaguely anthropomorphic piles of random jet-engine parts and old vacuum cleaners loosely connected by joints of armored cable. They roll hither and thither through neatly squared-off panels and pages in infectiously comical dismay. Even the end’s domestic tranquility lasts only until Cathode spots the little box buried in the bigger one’s packing material: “TWINS!” (This book was reviewed digitally with 9-by-22-inch double-page spreads viewed at 52% of actual size.)
A retro-futuristic romp, literally and figuratively screwy. (Picture book. 5-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-544-98731-9
Page Count: 32
Publisher: Clarion Books
Review Posted Online: June 2, 2020
Kirkus Reviews Issue: June 15, 2020
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by Donna Jo Napoli & David Wiesner ; illustrated by David Wiesner
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