An overlong but relentlessly candid and often absorbing account of a complex life spent in and out of the fashion spotlight.
The essayist, critic, novelist, and former editor-in-chief of Paris Vogue reflects on the triumphs and excesses of her fashionable past.
As the only child of celebrated parents, Buck (Daughter of the Swan, 1987, etc.) enjoyed a privileged upbringing among many of the 20th century’s more notable celebrities. Her father, Jules Buck, was a Hollywood producer perhaps best known for helping to launch Peter O’Toole’s early film career. In sometimes-meandering detail, the author relives her restless years as she established an esteemed reputation as a writer and authority on fashion and culture. There’s some excessive name-dropping as Buck references numerous Hollywood and fashion elites in quick succession, yet rarely does she pause for many of these individuals—e.g., Donald Sutherland and Brian De Palma—to spring to life on these pages. Throughout the book, the author explores her complicated and evolving relationship with her parents. Her father, in particular, asserted a domineering influence even as his increasingly erratic behavior in later years weighed on her existence as a burden—but also a reliable touchstone. Buck’s narrative gathers focus and momentum when she lands the Vogue position in her late 40s. Within these chapters, she provides acute, illuminating observations on the challenges of running a fashion magazine and of the pretensions of the industry. Her description of Susan Train, Vogue’s Paris bureau chief, provides an uncompromising glimpse into this world: “She fielded the daily telexes from New York demanding a dress, a photographer, a model, a star, a location, a car, a different car, a different dress, a chateau instead of a house, not that chateau, the other chateau, visas for Yemen, customs declarations, tissue paper, dangerous wildlife, rare flowers, rarer flowers, bushes, buds, trees, photogenic children of impeccable pedigree. She flawlessly navigated the chasms of rage that roiled in the heart of every fashion player. Even the messengers were touchy.”
An overlong but relentlessly candid and often absorbing account of a complex life spent in and out of the fashion spotlight.Pub Date: March 7, 2017
ISBN: 978-1-4767-6294-4
Page Count: 416
Publisher: Atria
Review Posted Online: Dec. 18, 2016
Kirkus Reviews Issue: Jan. 1, 2017
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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