DISPLACED PERSONS

A collection that ranges from Israel to the United States tackles displacement in all its varieties.

The key to Leegant’s latest book lies in its title: In one way or another, all the stories in this collection depict characters who have been displaced, whether by geography, mental illness, or the various particularities of their own lives. In “The Baghdadi,” an American expatriate to Israel encounters an Iraqi emigrant whose stories prompt her to reflect on her own failed marriage. In “Remittances,” another American-born woman has moved to Israel to escape a violent trauma. “Wild Animals,” which is set in New York and unfurls over the course of an extended family dinner, might be the collection’s best: Leegant’s talent for dialogue, swift characterization of complex human lives, and the many resentments and allegiances that tangle a family’s dynamics are on wonderful display. “Now out from the kitchen came the other aunts,” Leegant writes, “timid Claire and peacemaking Thea, wearing Ruthie’s mother’s aprons and surveying the table that stretched to the living room where the men sat on couches sipping Scotch and rye and ignoring the babies crawling over their feet.” But Leegant’s thematic insistence on displacement can at times feel heavy-handed or even relentless, as if the same notes were being sounded again and again. The book’s structure takes a similar approach: The volume is split into two parts, “East” and “West,” with stories in each part primarily based in Israel and the U.S., respectively. By the end, one begins to wish for a bit less insistence on the literal; a bit more metaphor, or even just a slightly looser interpretation of Leegant’s major concerns, would have gone a long way.

Despite some heavy-handedness around the thematic focus, Leegant’s vivid narrative voice drives a compelling collection.