Enlightening, if not always easily legible, ruminations on the value of being in the dark.
Reflections on the ways that artificial light upsets patterns and behaviors in the natural world.
Galat (Stories of the Aurora,2016, etc.) spins childhood memories into semifictive reminiscences. Between recalling lying on her back in the snow at 10 to trace the Big Dipper and describing links between light pollution and several environmental issues as a grown-up naturalist, the author recalls camping trips and other excursions at various ages. These offer, at least tangentially, insights into how artificial lighting could affect nocturnal insects, sea turtle hatchlings, bats, and migratory birds, as well as the general hunting, mating, and nesting behaviors of animals. She closes, after a quick mention of scotobiology (the study of life in darkness), with a plea to turn off the lights whenever possible. Though she does not support this general appeal with specific practices or, for that matter, source notes for her information, she does offer a list of internet search terms for readers who want to explore the topic further. Despite illustrations that range from a close-up of a road-kill raccoon to pointless filler and passages that, paradoxically, are hard to read except in bright light because they’re printed over speckled fields of stars, this outing covers a topic that should be of interest to young stargazers and scotobiologists alike.
Enlightening, if not always easily legible, ruminations on the value of being in the dark. (Nonfiction. 10-13)Pub Date: Sept. 1, 2017
ISBN: 978-0-88995-515-8
Page Count: 72
Publisher: Red Deer Press
Review Posted Online: May 23, 2017
Kirkus Reviews Issue: June 15, 2017
This survey of body systems tries too hard for a broad audience, mixing paragraphs of lines like, “Without bones we would just be bags of goop,” printed in slightly larger type, with brief but specific discussions of osteoblasts, myofibrils, peristalsis and like parts and functions. Seven single or double gatefolds allow the many simple, brightly painted illustrations space to range from thumbnail size to forearm-length. Many of the visuals offer inside and outside views of a multicultural cast—of children, by and large, though the sexual organs are shown on headless trunks and the final picture provides a peek inside a pregnant mother. Even if younger readers don’t stumble over the vocabulary while older ones reject the art as babyish, this isn’t going to make the top shelf; information is presented in a scattershot way, the text and pictures don’t consistently correspond—three muscles needed to kick a soccer ball are named but not depicted, for instance, and an entire tongue is labeled “taste bud”—and the closing resource list is both print only and partly adult. (glossary, bibliography, further reading, index) (Nonfiction. 10-12)
Pub Date: Oct. 1, 2010
ISBN: 978-1-4027-7091-3
Page Count: 48
Publisher: Sterling
Review Posted Online: Aug. 17, 2010
Kirkus Reviews Issue: Sept. 1, 2010
It’s not exactly an untold tale, but this new telling is worth the read.
A solid new entry in Mann’s exemplary tour of the modern world’s architectural wonders (The Taj Mahal, 2008, etc.).
Even sticking to the basic facts, as the author does, the story of how Lady Liberty was conceived, constructed and bestowed makes a compelling tale. Pointing to the disparate long-term outcomes of the American and French revolutions to explain why the U.S. system of government became so admired in France, Mann takes the statue from Edouard Laboulaye’s pie-in-the-sky proposal at a dinner party in 1865 to the massive opening ceremonies in 1886. Along the way, she highlights the techniques that sculptor Bartholdi used to scale up his ambitious model successfully and the long struggle against public indifference and skepticism on both sides of the Atlantic to fund both the monument itself and its base. Witschonke supplements an array of period photos and prints with full-page or larger painted reconstructions of Bartholdi’s studio and workshop, of the statue’s piecemeal creation and finally of the Lady herself, properly copper colored as she initially was, presiding over New York’s crowded harbor. As she still does.
It’s not exactly an untold tale, but this new telling is worth the read. (measurements, bibliography, "The New Colossus") (Nonfiction. 10-13)Pub Date: July 1, 2011
ISBN: 978-1-931414-43-2
Page Count: 48
Publisher: Mikaya Press
Review Posted Online: May 20, 2011
Kirkus Reviews Issue: June 1, 2011
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