Like so many sequels, more an update than a truly new story.

THE GARDENS OF COVINGTON

In a sequel to The Ladies of Covington Send Their Love (2000), insights are secondary to incident as the three friends, facing old age in a picturesque rural community, now confront threats to their land, their friendship, and their loved ones.

Only months have passed since Hannah, Amelia, and Grace moved into the renovated farmhouse on Cove Road in Covington, North Carolina, and began making new lives for themselves. Amelia, scarred physically and emotionally by the accident that killed her husband, continues to take award-winning photographs; Hannah, who was abandoned by her husband and had to raise her two daughters on her own, still works in the garden and the greenhouse she sold to a local young man; and Grace, a widow with one gay son, holds all three together with her warm wisdom. As the story opens, Grace, an accomplished cook, and her courtly lover Bob are getting ready to open a tearoom, and Bob’s widowed son Russell, father of grade-schooler Tyler, has fallen in love with Emily, whose parents have moved into a villa in a development in the next valley. The three women are unhappy about the development and even more concerned when they learn that the developer has plans for Cove Road as well. While Hannah fights to keep Cove Road as it is, Grace and Bob must help Tyler accept Emily as a stepmother. And Amelia, courted by the handsome if uncommunicative Lance Lundquist, must choose between sexual attraction and her hard-won independence. Two weddings and a funeral round out a plot that’s a whirl of activities, satisfactory resolutions, and low-key dramas as the three ladies remain true, strong, and ready for their next book.

Like so many sequels, more an update than a truly new story.

Pub Date: May 1, 2001

ISBN: 0-312-27555-2

Page Count: 352

Publisher: Dunne/St. Martin's

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 15, 2001

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Absolutely enthralling. Read it.

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NORMAL PEOPLE

A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!

Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.

Absolutely enthralling. Read it.

Pub Date: April 16, 2019

ISBN: 978-1-984-82217-8

Page Count: 288

Publisher: Hogarth/Crown

Review Posted Online: Feb. 18, 2019

Kirkus Reviews Issue: March 1, 2019

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A knowing, loving evocation of people trying to survive with their personalities and traditions intact.

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THE NIGHT WATCHMAN

In this unhurried, kaleidoscopic story, the efforts of Native Americans to save their lands from being taken away by the U.S. government in the early 1950s come intimately, vividly to life.

Erdrich’s grandfather Patrick Gourneau was part of the first generation born on the Turtle Mountain Reservation in North Dakota. As the chairman of the Turtle Mountain Band of Chippewa in the mid-1950s, he had to use all the political savvy he could muster to dissuade Utah Sen. Arthur V. Watkins (whom Erdrich calls a “pompous racist” in her afterword) from reneging on long-held treaties between Native Americans and the federal government. Erdrich's grandfather is the inspiration for her novel’s protagonist, Thomas Wazhushk, the night watchman of the title. He gets his last name from the muskrat, "the lowly, hardworking, water-loving rodent," and Thomas is a hard worker himself: In between his rounds at a local factory, at first uncertain he can really help his tribe, he organizes its members and writes letters to politicians, "these official men with their satisfied soft faces," opposing Watkins' efforts at "terminating" their reservation. Erdrich reveals Thomas' character at night when he's alone; still reliable and self-sacrificing, he becomes more human, like the night he locks himself out of the factory, almost freezes to death, and encounters a vision of beings, "filmy and brightly indistinct," descending from the stars, including Jesus Christ, who "looked just like the others." Patrice Paranteau is Thomas' niece, and she’s saddled with a raging alcoholic father and financial responsibility for her mother and brother. Her sister, Vera, deserts the reservation for Minneapolis; in the novel’s most suspenseful episode, Patrice boldly leaves home for the first time to find her sister, although all signs point to a bad outcome for Vera. Patrice grows up quickly as she navigates the city’s underbelly. Although the stakes for the residents of Turtle Mountain will be apocalyptic if their tribe is terminated, the novel is more an affectionate sketchbook of the personalities living at Turtle Mountain than a tightly plotted arc that moves from initial desperation to political triumph. Thomas’ boyhood friend Roderick returns as a ghost who troubles Thomas in his night rounds, for example; Patrice sleeps close to a bear and is vastly changed; two young men battle for Patrice’s heart.

A knowing, loving evocation of people trying to survive with their personalities and traditions intact.

Pub Date: March 3, 2020

ISBN: 978-0-06-267118-9

Page Count: 448

Publisher: Harper/HarperCollins

Review Posted Online: Dec. 23, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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