Readers will likely want to gather their own natural rainbows, and caregivers should be ready with expressions of love.

I LOVE YOU AS BIG AS A RAINBOW

A caregiver bear helps their cub get creative in order to hold on to the beauty of a rainbow.

When it starts to rain on an otherwise sunny day, Small Bear is disappointed. But Big Bear is quick to point out a rainbow: “It’s not all bad.” When it fades, the duo collect things that will make their own rainbow, Big Bear pointing out how each is like their love for Small Bear. The red of the poppies is “strong and deep,” just like Big Bear’s love. The crunch of orange and yellow leaves reminds Big Bear that their love for Small Bear “fills my whole heart with laughter.” And boring green grass? “It will grow forever,” just like Big Bear’s love. But when their rainbow is complete, Small Bear is devastated at the bedraggled collection that fails to capture the rainbow’s wonder. On a beautiful spread highlighting each color, Big Bear points out that the two have a rainbow of love in their hearts that they can take anywhere. Torres’ cartoon scenes are full of small details to delight—an inchworm on a stem, a squirrel parasailing with a fall leaf, woodland creatures watching and joining in the fun—but most of all the very apparent love the bears have for one another.

Readers will likely want to gather their own natural rainbows, and caregivers should be ready with expressions of love. (Picture book. 3-6)

Pub Date: March 2, 2021

ISBN: 978-1-68010-209-3

Page Count: 32

Publisher: Tiger Tales

Review Posted Online: March 17, 2021

Kirkus Reviews Issue: April 1, 2021

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Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

YOUR BABY'S FIRST WORD WILL BE DADA

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 15, 2015

Kirkus Reviews Issue: May 1, 2015

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This celebration of cross-generational bonding is a textual and artistic tour de force.

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LAST STOP ON MARKET STREET

A young boy yearns for what he doesn’t have, but his nana teaches him to find beauty in what he has and can give, as well as in the city where they live.

CJ doesn’t want to wait in the rain or take the bus or go places after church. But through Nana’s playful imagination and gentle leadership, he begins to see each moment as an opportunity: Trees drink raindrops from straws; the bus breathes fire; and each person has a story to tell. On the bus, Nana inspires an impromptu concert, and CJ’s lifted into a daydream of colors and light, moon and magic. Later, when walking past broken streetlamps on the way to the soup kitchen, CJ notices a rainbow and thinks of his nana’s special gift to see “beautiful where he never even thought to look.” Through de la Peña’s brilliant text, readers can hear, feel and taste the city: its grit and beauty, its quiet moments of connectedness. Robinson’s exceptional artwork works with it to ensure that readers will fully understand CJ’s journey toward appreciation of the vibrant, fascinating fabric of the city. Loosely defined patterns and gestures offer an immediate and raw quality to the Sasek-like illustrations. Painted in a warm palette, this diverse urban neighborhood is imbued with interest and possibility.

This celebration of cross-generational bonding is a textual and artistic tour de force. (Picture book. 3-6)

Pub Date: Jan. 8, 2015

ISBN: 978-0-399-25774-2

Page Count: 32

Publisher: Putnam

Review Posted Online: Oct. 22, 2014

Kirkus Reviews Issue: Nov. 1, 2014

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