by Joan Wickersham ‧ RELEASE DATE: Oct. 11, 2012
Short stories don’t get much better than this, and for once, the overarching framework strengthens rather than dissipates...
Elegantly structured, emotionally compelling fiction from novelist/memoirist Wickersham (The Suicide Index, 2008, etc.).
The seven pieces here tell seven different stories, though each has the same title. “The News from Spain” is also a touchstone phrase in each, its meaning transformed by the characters’ experiences. In the first tale, a woman whose longtime marriage has been rocked by a single infidelity sits on the beach with her friend, a man marrying for companionship and hoping his bride-to-be doesn’t want sex; they listen to “the news from Spain” roaring in a seashell, a recollection of simpler times. The phrase encapsulates a daughter’s discovery of her profound love for her dying mother; the excitement a teacher brings into a student’s life; betrayal, tragedy and the eternal sameness amid varieties of love. Four pieces are pure fiction, but Wickersham is particularly interesting when she rings changes on history. A very long tale insightfully examines the real-life marriage of choreographer George Balanchine and ballerina Tanaquil Le Clercq, stricken by polio and forced to accept her husband’s unfaithfulness; but it is just as nuanced and shrewd about Le Clercq’s relationship with her gay caregiver. The collection’s best story imagines modern odysseys for the Countess in The Marriage of Figaro and Elvira from Don Giovanni, interpolating the memoirs of their creator, librettist Lorenzo Da Ponte; what could have been a gimmick is instead a beautiful meditation on art, love and friendship. The final piece is slightly bumpier as it interweaves memories of a platonic adultery that may or may not be fictional with the story of a New York doctor beloved by both a president’s widow and a female journalist (unnamed, as were Balanchine and Le Clercq, but clearly Eleanor Roosevelt, Martha Gellhorn, and David Gurewitsch). Yet, here too Wickersham dissects the human heart with precision and restraint that make her work all the more moving.
Short stories don’t get much better than this, and for once, the overarching framework strengthens rather than dissipates their effectiveness.Pub Date: Oct. 11, 2012
ISBN: 978-0-307-95888-4
Page Count: 224
Publisher: Knopf
Review Posted Online: Sept. 2, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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by Cormac McCarthy ‧ RELEASE DATE: Oct. 2, 2006
A novel of horrific beauty, where death is the only truth.
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National Book Critics Circle Finalist
Pulitzer Prize Winner
Even within the author’s extraordinary body of work, this stands as a radical achievement, a novel that demands to be read and reread.
McCarthy (No Country for Old Men, 2005, etc.) pushes his thematic obsessions to their extremes in a parable that reads like Night of the Living Dead as rewritten by Samuel Beckett. Where much of McCarthy’s fiction has been set in the recent past of the South and West, here he conjures a nightmare of an indeterminate future. A great fire has left the country covered in layers of ash and littered with incinerated corpses. Foraging through the wasteland are a father and son, neither named (though the son calls the father “Papa”). The father dimly remembers the world as it was and occasionally dreams of it. The son was born on the cusp of whatever has happened—apocalypse? holocaust?—and has never known anything else. His mother committed suicide rather than face the unspeakable horror. As they scavenge for survival, they consider themselves the “good guys,” carriers of the fire, while most of the few remaining survivors are “bad guys,” cannibals who eat babies. In order to live, they must keep moving amid this shadowy landscape, in which ashes have all but obliterated the sun. In their encounters along their pilgrimage to the coast, where things might not be better but where they can go no further, the boy emerges as the novel’s moral conscience. The relationship between father and son has a sweetness that represents all that’s good in a universe where conventional notions of good and evil have been extinguished. Amid the bleakness of survival—through which those who wish they’d never been born struggle to persevere—there are glimmers of comedy in an encounter with an old man who plays the philosophical role of the Shakespearean fool. Though the sentences of McCarthy’s recent work are shorter and simpler than they once were, his prose combines the cadence of prophecy with the indelible images of poetry.
A novel of horrific beauty, where death is the only truth.Pub Date: Oct. 2, 2006
ISBN: 0-307-26543-9
Page Count: 288
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2006
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by Chinua Achebe ‧ RELEASE DATE: Jan. 23, 1958
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
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