An ambitious, if slightly underwhelming, tale about sexual slavery.
A debut novel calls attention to the sex-trafficking crisis.
Remacy loves calligraphy and horseback riding, but when her father dies and her mother remarries, her stepfather begins “grooming” her for molestation. Lukas loves to surf, though he too is mourning his dead father when he’s abducted suddenly amid a family vacation to Atlantic City. Shaukita thinks an older boy is going to take her to a school dance, but he drugs her, and she wakes up chained to a bed. Sophie is born into “the life,” a slave taken from her mother and moved from place to place at the mercy of her captors. One way or another, these children all find themselves caught in the underworld of sex trafficking and slavery. The novel follows them and others who are involved in this terrifying work, including those who perpetuate it. Giovanni is a “two-bit bookie” who starts running girls in order to make more money. Robert is a businessman with particular desires that cause him to search out the services of children. Annika, Lukas’ mother, works tirelessly to discover what has happened to her son. Abrams follows 12 characters (including one named Joann Abrams) as their stories intersect across time and space, slowly revealing the extent of human depravity—and resilience. The author narrates each of her characters in the first person, summoning them with energetic, personality-laden prose, as here with young Lukas: “During the summer, I wash my own clothes. No one goes near them. The joys of childhood! Surfing, boarding, soccer and tennis, that’s me!” The author does a sound job presenting the various perspectives of those involved without removing the moral dimension of the premise: The victims remain victims and the villains, villains. But readers may have a hard time becoming fully immersed in such an explicitly didactic story. Abrams includes both a long foreword and a conclusion in addition to her largely unnecessary appearance as a character. (She also offers a sizable helping of Christianity with her perspective, which every reader may not want.) Even so, the book continues in the fine tradition of muckraking social novels.
An ambitious, if slightly underwhelming, tale about sexual slavery.Pub Date: N/A
ISBN: N/A
Page Count: 142
Publisher: Time Tunnel Media
Review Posted Online: Sept. 5, 2019
Review Program: Kirkus Indie
Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet...
Four Chicago sisters anchor a sharp, sly family story of feminine guile and guilt.
Newcomer Lombardo brews all seven deadly sins into a fun and brimming tale of an unapologetically bougie couple and their unruly daughters. In the opening scene, Liza Sorenson, daughter No. 3, flirts with a groomsman at her sister’s wedding. “There’s four of you?” he asked. “What’s that like?” Her retort: “It’s a vast hormonal hellscape. A marathon of instability and hair products.” Thus begins a story bristling with a particular kind of female intel. When Wendy, the oldest, sets her sights on a mate, she “made sure she left her mark throughout his house—soy milk in the fridge, box of tampons under the sink, surreptitious spritzes of her Bulgari musk on the sheets.” Turbulent Wendy is the novel’s best character, exuding a delectable bratty-ness. The parents—Marilyn, all pluck and busy optimism, and David, a genial family doctor—strike their offspring as impossibly happy. Lombardo levels this vision by interspersing chapters of the Sorenson parents’ early lean times with chapters about their daughters’ wobbly forays into adulthood. The central story unfurls over a single event-choked year, begun by Wendy, who unlatches a closed adoption and springs on her family the boy her stuffy married sister, Violet, gave away 15 years earlier. (The sisters improbably kept David and Marilyn clueless with a phony study-abroad scheme.) Into this churn, Lombardo adds cancer, infidelity, a heart attack, another unplanned pregnancy, a stillbirth, and an office crush for David. Meanwhile, youngest daughter Grace perpetrates a whopper, and “every day the lie was growing like mold, furring her judgment.” The writing here is silky, if occasionally overwrought. Still, the deft touches—a neighborhood fundraiser for a Little Free Library, a Twilight character as erotic touchstone—delight. The class calibrations are divine even as the utter apolitical whiteness of the Sorenson world becomes hard to fathom.
Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet another pleasurable tendril of sisterly malice uncurls.Pub Date: June 25, 2019
ISBN: 978-0-385-54425-2
Page Count: 544
Publisher: Doubleday
Review Posted Online: March 3, 2019
Kirkus Reviews Issue: March 15, 2019
SEEN & HEARD
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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