HUNGRY

A feisty debut collection of six stories and a novella featuring feminist urban guerrillas, mostly stymied, who take their pleasure in ``Raisin Rage'' lipstick, etc. Torrey's women all desperately want more control over their lives and their hungers. Like athletes, they train and compete for success in Manhattan settings ranging from offices and restaurants to bedrooms and strip clubs. In ``Eyes,'' nude dancer Candy Cane works her job at the Peekaboo Lounge; unhappily, she's become the unwilling victim of her own power to snare men by catching and holding their gazes. Less exposed but just as frustrated, the nameless girlfriend in ``Parking Lot'' struggles to find meaning with a man obsessed by his aged mother. A novella, ``Me and Mine,'' desultorily follows the anticlimactic nine-to-five routine of a jaundiced legal secretary. The fun here and elsewhere is in the sardonic tone: Instead of giving up, Torrey's heroines simply get weird, shedding their clothes after hours in their bosses' well- windowed aeries or stealing the company's pens. The problem, however, is that the stories also share an atmospheric sameness, along with a lack of plot. The best piece, ``Sweat,'' succeeds by immersing the reader in the details of a fancy city-gym, nicely catching the lust and gloom that send obsessively lonesome body- builders there to labor, grunt, gape, and try to connect. Symbolically, the tale resonates because the heroine and her desires are so grounded in specifics; one can't object to the writer's fatalism here because it seems indisputably realistic. But too often Torrey's reliance on impressionistic description to launch and guide her characters softens a story's impact. And while the moods (of anonymity, fear, anger) are convincing, the characters displaying them tend toward the vague. Bright lights, bad city, okay book. (Quality Paperback Book Club alternate selection; author tour)

Pub Date: March 1, 1998

ISBN: 0-609-60121-0

Page Count: 224

Publisher: Crown

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Dec. 15, 1997

Did you like this book?

No Comments Yet

An enjoyable, cozy novel that touches on tough topics.

THE AUTHENTICITY PROJECT

A group of strangers who live near each other in London become fast friends after writing their deepest secrets in a shared notebook.

Julian Jessop, a septuagenarian artist, is bone-crushingly lonely when he starts “The Authenticity Project”—as he titles a slim green notebook—and begins its first handwritten entry questioning how well people know each other in his tiny corner of London. After 15 years on his own mourning the loss of his beloved wife, he begins the project with the aim that whoever finds the little volume when he leaves it in a cafe will share their true self with their own entry and then pass the volume on to a stranger. The second person to share their inner selves in the notebook’s pages is Monica, 37, owner of a failing cafe and a former corporate lawyer who desperately wants to have a baby. From there the story unfolds, as the volume travels to Thailand and back to London, seemingly destined to fall only into the hands of people—an alcoholic drug addict, an Australian tourist, a social media influencer/new mother, etc.—who already live clustered together geographically. This is a glossy tale where difficulties and addictions appear and are overcome, where lies are told and then forgiven, where love is sought and found, and where truths, once spoken, can set you free. Secondary characters, including an interracial gay couple, appear with their own nuanced parts in the story. The message is strong, urging readers to get off their smartphones and social media and live in the real, authentic world—no chain stores or brands allowed here—making friends and forming a real-life community and support network. And is that really a bad thing?

An enjoyable, cozy novel that touches on tough topics.

Pub Date: Feb. 4, 2020

ISBN: 978-1-9848-7861-8

Page Count: 368

Publisher: Pamela Dorman/Viking

Review Posted Online: Oct. 27, 2019

Kirkus Reviews Issue: Nov. 15, 2019

Did you like this book?

A strict report, worthy of sympathy.

THE CATCHER IN THE RYE

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

Did you like this book?

more