A charming and edifying work with a romance that will make YA fans swoon.
Two very different teenagers with a shared gift for music fall in love over a summer in this YA novel by Antiguan and Barbudan author Hillhouse.
In Antigua, painfully shy Zahara can play guitar and has an encyclopedic knowledge of famous musicians, but she just can’t work up the courage to perform in front of people—and her strict grandmother likely wouldn’t allow it, anyway. Then she meets a cute, confident boy who calls himself Shaka; he’s not only her match in musical knowledge, he also writes his own rap verses with a schoolboy hip-hop crew. Shaka finds himself smitten by Zahara and tries to bring the anxious girl out of her shell. However, he has his own doubts and insecurities underneath his showman persona. Unlike the private-schooled, light-complexioned Zahara, public-schooled Shaka comes from the poor part of town and has been ridiculed all his life for his dark skin. As summer starts, the two teens grow closer, and a tender romance begins to blossom. Soon, Zahara and Shaka are caught in a whirlwind of creative collaboration, self-discovery, and family revelations that will leave them forever changed. In the tradition of the best YA stories, Hillhouse’s characters are convincing because they’re unfailingly realistic in their interactions, interests, and struggles. Her players sound like actual people, and specifically like Antiguan teens. Through their personal journeys, readers learn about issues that affect young people in Antigua and across the globe, including internalized racism, colorism, economic inequality, generational trauma, and old-fashioned teenage angst. This is not to say that the book is heavy or maudlin in tone; on the contrary, Hillhouse’s writing is overwhelmingly joyful and explicitly invested in the power of Black joy, Black excellence, and Black self-love.
A charming and edifying work with a romance that will make YA fans swoon.Pub Date: Sept. 15, 2019
ISBN: 978-1-73382-996-0
Page Count: 280
Publisher: Caribbean Reads Publishing
Review Posted Online: Sept. 9, 2020
Kirkus Reviews Issue: Nov. 1, 2020
Review Program: Kirkus Indie
BOOK REVIEW
PERSPECTIVES
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
